Giltburg’s Wigmore waltzes: noble, sentimental... and terminal

Por Roy Westbrook, 05 octubre 2021

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“not so much a way to start a concert as to detonate it into life”

Crítica hecha desde Wigmore Hall, Londres el 4 octubre 2021

Prokofiev, Sonata para piano núm. 6 en la mayor, Op.82

Ravel, Valses nobles et sentimentales, para orquesta

Ravel, La Valse

Schumann, Carnaval, Op.9

Brahms, 6 Pieces for Piano: Intermezzo in A major, Op.118 no.2

Rajmáninov, Prelude in G sharp minor, Op.32 no.12

Boris Giltburg, Piano

Anja Bihlmaier conducts a powerful NSO programme in Dublin

Andrew Larkin, 5th December

Scintillating Mozart meets soul-searching Bruckner as Anja Bihlmaier and the NSOI deliver a programme of vivid contrasts and compelling musical storytelling.

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Joolz Gale et Boris Giltburg solaires avec le Brussels Philharmonic

Patrice Lieberman, 22nd November

Le chef et le pianiste invités ont été à la tête d'interprétations remarquables d'œuvres pas si couramment programmées, de la Fantaisie op. 80 de Beethoven à la Sixième Symphonie de Bruckner...

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Giltburg and Foster celebrate the Philharmonia’s 80th birthday

Nick Boston, 17th November

Boris Giltburg emphasising the expression in not one but two piano concertos, with commanding performances from Lawrence Foster and the Philharmonia.

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Intense Rachmaninov and illuminating Shostakovich in Gateshead

Nick Butters, 11th April

The Hallé’s Principal Conductor, Kahchun Wong, dances his way through an authoritative account of Shostakovich’s Fifth Symphony at the Glasshouse, Gateshead.

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Giltburg’s Beethoven enlightens the dark between Berg and Stravinsky

Roy Westbrook, 26th January

Vasily Petrenko frames his Royal Philharmonic Orchestra programme with Berg and Stravinsky, with Boris Giltburg playing Beethoven's Emperor Concerto in between.

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Début de saison mitigé pour le BNO et Antony Hermus à Bozar

Patrice Lieberman, 13th September

La création belge de Eco… del vuoto de la compositrice Annelies Van Parys a ouvert de fort belle manière la saison nouvelle, mais le reste de la soirée fut moins enthousiasmant.

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Roy Westbrook

Roy Westbrook gained a diploma in music history at London University (Morley College) and was for some years the head of music day schools at Oxford University, where he also led music summer schools. After some years leading the University's business school he has returned to music teaching and writing, and recently took part in the Arts in Residence courses on Bruckner, Mahler and Bach He is co-author (with Terry Barfoot) of a history of opera, and has taught day schools on Sibelius in Oxford and elsewhere.