Martin Kušej's Idomeneo as political power struggle

Por Mark Pullinger, 03 noviembre 2014

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“Sophie Bevan sang Ilia with passion and grace, her silky soprano charming at every turn”

Crítica hecha desde Royal Opera House, Covent Garden, Londres el 3 noviembre 2014

Mozart, Idomeneo, rè di Creta

The Royal Opera

Marc Minkowski, Dirección

Martin Kušej, Dirección de escena

Annette Murschetz, Diseño de escena

Heide Kastler, Diseño de vestuario

Malin Byström, Elettra

Sophie Bevan, Ilia

Franco Fagioli, Idamante

Stanislas de Barbeyrac, Arbace

Krystian Adam, High Priest

Matthew Polenzani, Idomeneo

Graeme Broadbent, The Oracle of Neptune

Royal Opera Chorus

Orchestra of the Royal Opera House Covent Garden

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Mark Pullinger

Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.

Martin Kušej's Idomeneo cast as gripping political power struggle