En vivo, Video: Buscador de críticas de conciertos de música clásica, ópera, ballet y danza | Martin Kušej

Asmik Grigorian leads a searing performance in Martin Kušej’s 15-year-old, yet ever-fresh, outstanding production of Dvořák's opera.

Wegen Warnstreiks innerhalb weniger Stunden auf der Münchner Bühne eingerichtet: Verdis hier halbszenischer Macbeth beeindruckte durch hochklassiges orchestrales und sängerisches Niveau.

Martin Kušej gives Mozart and Da Ponte's commedia per musica a sinister mafia setting, which is low on laughs but outstandingly performed, led by Lea Desandre's charismatic Cherubino.

La mise en scène de Martin Kušej accentue le caractère sombre du célèbre opéra de Bizet, dans lequel le duo de chanteurs français se distingue.

Martin Kušej zeigt eine gewalttätige, kunst- und religionsbefreite Tosca, die zum Nachdenken anregt.

Many scenes could risk to be particularly disturbing,  but their overt brutality appeared functional, to the structure of the drama. A dark, gloomy story as unambiguously told as it should be.

An updating of Mozart's Die Entführung aus dem Serail to the post-World War One era in a desert fails to inspire in Aix. 

Martin Kušej's production of La forza del destino is hard hitting and intelligent: an imperfect orchestral performance is more than compensated for by an outstanding cast of singers.

Après Montpellier et presque en même temps que Lille, l'Opéra de Lyon offre une version d'Idoménée de Mozart. Pouvoir, amour, violence, dette, divinité, pardon et abdication donnent un livret qui n'est pas des plus simples et que la mise en scène de Martin Kušej n'aide pas à comprendre...

“Here be dragons!” warned seafaring maps of yore, denoting uncharted territories. Martin Kušej, undertaking his first Royal Opera exploration, excised the sea monster from his vision of Mozart’s Idomeneo. 

Martin Kušej’s modern production of La forza del destino emphasizes that familial and religious oppressions can be one and the same, destroying the love of free spirits.      

Anna Netrebko makes a glorious role debut as Lady Macbeth in a revival of Martin Kušej's jumbled production of Verdi's first Shakespeare opera.

My mother always told me not to sit too close in the theatre, and after seeing this revival of Martin Kusej’s modern realization of Stravinksy’s The Rake’s Progress at the Theater an der Wien, I think I know what she was talking about.Act I begins innocuously enough in a sparse apartment, unfurnished apart from a mattress and a television.