Igor Levit's Beethoven Sonata cycle begins at Wigmore Hall

Por Frances Wilson, 29 septiembre 2016

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“In Levit’s hands, this was transformed into a work of sophisticated romanticism”

Crítica hecha desde Wigmore Hall, Londres el 28 septiembre 2016

Beethoven, Sonata para piano núm. 1 en fa menor, Op.2 núm. 1

Beethoven, Sonata para piano núm. 12 en la bemol mayor, Op.26

Beethoven, Sonata para piano núm. 25 en sol mayor, Op.79

Beethoven, Sonata para piano núm. 21 en do mayor "Waldstein", Op.53

Igor Levit, Piano

Igor Levit und Budapest Festival Orchestra: ein Fest für Prokofjew

Sebastian Urmoneit, 24th March

Mit dem Dritten stand wohl das bekannteste Klavierkonzert Prokofjews im Mittelpunkt, eingerahmt von zwei glänzenden Orchesterstücken.

****1

Igor Levit brings Beethoven and Rzewski to Carnegie Hall

Kurt Gottschalk, 22nd January

Levit introduced the theme at such a clip that one couldn't help but worry about the marathon of musculature he had in front of him, but he persevered, playing with a precision that was almost alarming.

*****

L’intrigant chant intérieur d’Igor Levit au TCE

Pierre Michel, 9th October

Si le pianiste trouve une sorte d’idéal de beauté intime qui convient très bien à certains aspects de son grand programme romantique, d'autres aspects de son jeu laissent perplexe...

***11

Tremendous energy and engagement from Igor Levit at Wigmore Hall

Patrick Maxwell, 22nd September

Igor Levit brings a well-considered programme of Schubert, Schumann and Chopin to London in a performance of commitment and subtlety.

****1

Bis ins kleinste Detail: Joana Mallwitz und Igor Levit in Berlin

Sebastian Urmoneit, 27th June

Joana Mallwitz malt mit ihrem Konzerthausorchester musikalische Bilder von Haydn, Bartók und Strawinsky.

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Percussive Prokofiev and titanic Shostakovich from Levit and Sternath

Mark Pullinger, 4th April

Igor Levit champions his young mentee Lukas Sternath in a joint Wigmore Hall recital culminating in Shostakovich's own transcription of his Tenth Symphony.

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Frances Wilson

A keen concert-goer, Frances is a pianist, piano teacher and blogger on pianism, music and culture.