Shipwrecked: Donizetti’s Il furioso comes a cropper in Bergamo

Paolo Bordogna (Cardenio)

Il furioso nell’isola di San Domingo, Act 1 finale

Paolo Bordogna (Cardenio) and Nino Machaidze (Eleonora)

Andrea De Manincor (Old Cardenio)

Il furioso nell’isola di San Domingo

Por Mark Pullinger, 17 noviembre 2025

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“Renga does a very sensitive job, not least around the issue of dementia”

Crítica hecha desde Teatro Donizetti, Bérgamo el 16 noviembre 2025

Donizetti, Il furioso nell’isola di San Domingo

Fondazione Donizetti

Alessandro Palumbo, Dirección

Manuel Renga, Dirección de escena

Aurelio Colombo, Diseño de escena, Diseño de vestuario

Emanuele Agliati, Diseño de iluminación

Orchestra Donizetti Opera

Teatro alla Scala Academy Chorus

Paolo Bordogna, Cardenio

Nino Machaidze, Eleonora

Santiago Ballerini, Fernando

Bruno Taddia, Kaidamà

Valerio Morelli, Bartolomeo

Giulia Mazzola, Marcella

Salvo Sgrò, Dirección de coro

At Donizetti Opera Festival: farces flop, young singers impress

Mark Pullinger, 15th November

Il campanello and Deux Hommes et une femme bomb at the Donizetti Opera festival, but the young singers of the Bottega Donizetti – and wily old hand Alessandro Corbelli – impress.

***11

Donizetti’s Caterina Cornaro given a controversial update in Bergamo

Mark Pullinger, 14th November

Francesco Micheli reimagines Caterina Cornaro in a contemporary setting, switching to the historical past, to open this year’s Donizetti Opera festival in the composer’s home town.

****1

Young Sicilian soprano grabs the limelight in Bergamo Don Pasquale

Mark Pullinger, 17th November

They came for Javier Camarena, but cheered Giulia Mazzola to the rafters of the Teatro Donizetti as the third production of this year's festival opens.

***11

A modern makeover for Donizetti’s Zoraida di Granata

Mark Pullinger, 16th November

Bruno Ravella's effective production was seen in Wexford in its original 1822 version, but Donizetti Opera opts for the composer's 1824 revision, throwing the spotlight onto Cecilia Molinari's excellent Abenamet.

***11

Tudor history, gothic thrills: Roberto Devereux in Bergamo

Mark Pullinger, 15th November

Is Roberto Devereux the finest of Donizetti's four Tudor operas? Stephen Langridge's stylish, stylised production and a wonderful cast under Riccardo Frizza make a great case for it.

****1

The “other” Lucia at the Donizetti Opera Festival in Bergamo

Laura Servidei, 18th November

Stricken by illness, the French version of Donizetti’s masterpiece is somewhat disappointing.

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Mark Pullinger

Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.

Shipwrecked: Donizetti’s Il furioso nell’isola di San Domingo comes a cropper