Wilde life: The Importance of Being Earnest

Por Matthew Rye, 30 marzo 2016

Descargando, espere, por favor...

Ver la programación

“not every farce needs doors”

Crítica hecha desde Barbican Theatre, Londres el 29 marzo 2016

Barry, The Importance of Being Earnest

The Royal Opera

Tim Murray, Dirección

Ramin Gray, Dirección de escena

Ben Clark, Diseño de escena

Christina Cunningham, Diseño de vestuario

Benedict Nelson, Algernon Moncrieff

Paul Curievici, John Worthing

Claudia Boyle, Cecily Cardew

Stephanie Marshall, Gwendolen Fairfax

Hilary Summers, Miss Prism

Simon Wilding, Lane/Merriman

Kevin West, Rev. Canon Chasuble

Alan Ewing, Lady Bracknell

Britten Sinfonia

The Turn of the Screw at RBO Linbury: Darkness and denial

Eleanor Knight, 26th March

Natalie Abrahami’s mesmerising new production of Britten’s ghostly tale of sexual abuse is very dark indeed.

*****

A riveting Rigoletto revival at the Royal Opera House

Dominic Lowe, 25th March

Sir Mark Elder celebrates 50 years at Covent Garden by returning to his first opera there in 1976 – Verdi's Rigoletto – in a revival of Oliver Mears' excellent 2021 production.

****1

Siegfried at the RBO: Kosky and Pappano surprise and delight

David Karlin, 17th March

A revelatory orchestral performance and a cast led by Andreas Schager, Christopher Maltman and Elisabeth Strid make this a Siegfried for the record books.

*****

Terfel’s craggy Boris Godunov returns to Covent Garden

Mark Pullinger, 29th January

The second revival of Richard Jones' staging of Mussorgsky's original 1869 version of Boris Godunov once again stars the Welsh knight.

****1

Ermonela Jaho returns in triumph to The Royal Opera’s Traviata

Mark Valencia, 8th January

Richard Eyre’s 32-year-old production is rarely out of The Royal Opera’s repertoire for more than a few months at a time, but this particular revival proves very special.

*****

Turandot drowned in an orchestral tsunami at The Royal Opera

David Karlin, 15th December

Andrei Șerban’s 40 year old take on Puccini's tale of the ice princess largely stands the test of time, but Netrebko and Eyvazov are short of their best form.

***11

Más críticas...

Matthew Rye

Matthew read music at Oxford and worked in music journalism for 30 years as a writer, critic and editor. He wrote numerous programme and CD booklet notes, spent 13 years as a Daily Telegraph critic, worked at BBC Music Magazine and was reviews editor of The Strad. He also wrote for The Wagner Journal and Opera and blogged at ferneklang.blogspot.co.uk. He was general editor of 1001 Classical Recordings You Must Hear Before You Die (Cassell Illustrated, 2007) and was the author of a new series of eBooks, Masterpieces of Music (Erudition).

Wilde life: The Importance of Being Earnest, the opera