A heartwrenching Káťa Kabanová in Auckland

Por Simon Holden, 21 septiembre 2017

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“the clean white window frames are more like prison bars for Káťa”

Crítica hecha desde Kiri Te Kanawa Theatre, Auckland el 19 septiembre 2017

Janáček, Kátya Kabanová

New Zealand Opera

Wyn Davies, Dirección

Patrick Nolan, Dirección de escena

Dina Kuznetsova, Kátya

Angus Wood, Boris

Margaret Medlyn, Kabanicha

Andrew Glover, Tichon

Conal Coad, Dikój

Robert Tucker, Kuligin

Hayley Sugars, Varvara

James Benjamin Rodgers, Kudrjaš

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In Daisy Evans’ conception, as Judith briefly reconnects with the joy and tragedy of her past, the effect is nothing short of devastating.

****1

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Director Anapela Polata’ivao handles her mixed forces of amateurs and professionals with seamless assurance, the crowds’ movements across the stage showing both clarity and intent.

****1

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New Zealand Opera's new production impresses with its stunning set design and art direction, and its restrained emotional tone.

***11

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Simon Holden, 30th May

Director Simon Phillips takes the opportunity to reshape the setting of Rossini's comic opera to modern-day New Zealand.

***11

Blissful Mansfield Park in Auckland

Simon Holden, 21st April

Dove’s masterful adaptation, combined with an ebullient and characterful rendition by New Zealand Opera, make for a very effective and at times, very moving, afternoon at the opera.

*****

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Gareth Farr re-orchestrates Gluck in Neil Ieremia's imaginative reinterpretation of the Orpheus myth for New Zealand Opera.

****1

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Simon Holden

Simon is an operaphile based in Auckland, New Zealand. He wrote his dissertation on Japanese popular music. With a background in piano and classical music retail, he spends his time attending as much opera or vocal concert as he can and blogs at irishenceaway.blogspot.com.