An exhibition of two halves from Alice Sara Ott at (Le) Poisson Rouge

Por David Allen, 02 julio 2013

Descargando, espere, por favor...

Ver la programación

Crítica hecha desde (Le) Poisson Rouge, Nueva York el 4 junio 2013

Mozart, 9 Variaciones en re mayor, K573

Schubert, Sonata para piano núm. 17 en re mayor "Gasteiner", D.850

Musorgskiï, Cuadros de una exposición

Alice Sara Ott, Piano

Sobrecogedora Alice Sara Ott con la LSO en el Auditorio Nacional

Jorge Baeza Stanicic, 25th October

En la segunda velada en Madrid, la LSO estrenó una brillante obra de Kendall y contó con la presencia incontestable de Alice Sara Ott.

****1

Top drawer French music from Ott, Bloch and the LSO

Roy Westbrook, 27th November

Debussy and Ravel frame a performance of Lutosławski’s Concerto for Orchestra as Alexandre Bloch guests with the London Symphony Orchestra.

****1

Jaap van Zweden prend énergiquement les rênes du Philhar'

Pierre Michel, 19th October

À l'exception d'un Concerto en sol de Ravel délicat voire discret avec Alice Sara Ott, l'Orchestre Philharmonique de Radio France a livré un concert tonitruant sous la baguette de son directeur musical désigné.

****1

Polished Ravel x 2 from Alice Sara Ott with the Chicago Symphony

Graham Meyer, 25th September

Three hands for two concertos: Alice Sara Ott joins the Chicago Symphony Orchestra for Ravel's Piano Concerto for the left hand and the Piano Concerto in G major.

****1

Alice Sara Ott's Field and Beethoven delights in Dublin

Andrew Larkin, 27th February

A fine and sensitive pianist, Alice Sara Ott captivates with Field Nocturnes and Beethoven sonatas at the National Concert Hall, Dublin.

****1

Karina Canellakis and Alice Sara Ott make memorable NY Phil debuts

Susan Stempleski, 4th April

The American conductor and German-Japanese pianist shine in a mostly meditative program of Webern, Strauss, Ravel and Scriabin.

****1

Más críticas...

David Allen

David is a PhD student at Columbia University, where he studies international history. A lapsed pianist and organist, he writes on concerts on both sides of the Atlantic, and blogs at Unpredictable Inevitability.