Chamber Music Society of Lincoln Center: Dvořák and Brahms

Por Joseph Pfender, 14 enero 2013

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Crítica hecha desde Lincoln Center: Alice Tully Hall, Nueva York el 13 enero 2013

Brahms, Sonata para violonchelo núm. 1 en mi menor, Op.38

Dvořák, Piano Trio no. 4 in E minor "Dumky", Op.90

Dvořák, Piano Trio no. 3 in F minor, Op.65

Wu Han, Piano

Philip Setzer, Violín

David Finckel, Violonchelo

Music@Menlo: Launching Beethoven

Laurence Vittes, 17th July

With the eternally young Gilbert Kalish leading the way, the festival's all-star roster delighted an enthusiastic and knowledgeable Center for the Performing Arts audience.

*****

“The Piano Quartet”: unconventionally strong and tangy

Julien Hanck, 16th September

Yesterday’s all-Romantic programme displaced the usual thing with incredible panache, as Daniel Hope’s violin surveyed the ensemble with regal bearing.

****1

A transatlantic bridge: The Chamber Music Society of Lincoln Center in Dresden

Max Woods, 5th June

Taking a “transatlantic bridge” as their theme for the evening, the Chamber Music Society of Lincoln Center featured music by Ravel, Gershwin, Korngold and Antheil.

***11

Music@Menlo: An impassioned chamber performance

Brenden Guy, 5th August

The seventh of the Concert Programs at the annual Music@Menlo summer chamber music festival was entitled “Impassioned.

***11

The Romance of the Clarinet: Trios at the Lincoln Center

Amanda Keil, 31st January

It’s difficult to find criticism for a concert like this. Three venerable musicians who are familiar colleagues meet over three gorgeous pieces of music – what’s not to love? And a program of three clarinet trios is like a three-course meal of desserts.

***11

Music@Menlo: Launching Beethoven

Laurence Vittes, 17th July

With the eternally young Gilbert Kalish leading the way, the festival's all-star roster delighted an enthusiastic and knowledgeable Center for the Performing Arts audience.

*****

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Joseph Pfender

Joseph Pfender, a PhD student in musicology at NYU, has active research interests in electroacoustic and multimedia performance, perceptual agency, music and folklore, and theorizing orchestration. He has presented work in conjunction with the Metropolitan Opera, and in Athens, Greece.