Royal Academy Opera stages a magical Zauberflöte

Binny Supin Yang (Queen of the Night)

Daniel Vening (Sarastro)

Conrad Chatterton (Papageno)

Zahid Siddiqui (Tamino) and Grace Hope-Gill (Pamina)

Von Mark Valencia, 19 März 2025

Laden, bitte warten...

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“every note was a jewel, every giddy peak of her coloratura a glittering diamond”

Rezensierte Veranstaltung: Royal Academy of Music: Susie Sainsbury Theatre, London, am 18 März 2025

Mozart, Die Zauberflöte

Royal Academy Opera

Olivia Clarke, Musikalische Leitung

Jamie Manton, Regie

Justin Nardella, Bühnenbild, Kostüme

Charlie Morgan Jones, Licht

Royal Academy of Music Symphony Orchestra

Zahid Siddiqui, Tamino

Conrad Chatterton, Papageno

Grace Hope-Gill, Pamina

Binny Supin Yang, Königin der Nacht

Daniel Vening, Sarastro

Erin O'Rourke, Erste Dame

Charlotte Clapperton, Zweite Dame

Anna-Helena Maclachlan, Dritte Dame

Llinos Haf Jones, Papagena

Owen Lucas, Erster Geharnischter, Monostatos

Theodore McAlindon, Zweiter Geharnischter, Sprecher

Hailey West, First Boy

Anna Lluna, Second Boy

Núria Prats Illanas, Third Boy

George Reynolds, Erster Priester

Die Wahrheit liegt in der Musik: Dido and Aeneas an der Royal Academy

Rainer Zerbst, 27th May

Ein ausdrucksstarkes Dirigat von Elizabeth Kenny und ein grandioses Sängerensemble beeindrucken in London.

***11

The Royal Academy's Carmen has too many what-if moments

Dominic Lowe, 18th November

Presenting a work like Carmen is a punchy move by a conservatoire. The Royal Academy of Music's production has conceptual weaknesses, but features some good singing.

***11

A dystopian Hansel und Gretel at the RAM

Mark Valencia, 20th November

Jack Furness serves up an unappetising mess of Humperdinck's delicious masterpiece for Royal Academy Opera.

***11

Keeping it surreal: Martinů double-bill at the Royal Academy of Music

Dominic Lowe, 8th May

With typical spirit, the students at the Royal Academy of Music did an excellent job in bringing Martinů’s Comedy on the Bridge and Alexandre bis to life – two lesser-known pre-war surrealist gems.

***11

Unreal city: The Rake's Progress at the Royal Academy of Music

Benjamin Poore, 22nd November

Frederic Wake-Walker's realisation of the Hogarth-inspired opera is visually bracing and assuredly sung.

****1

Emotion and mayhem: a golden double bill from Royal Academy Opera

Stephen Pritchard, 18th March

Students triumph in Tchaikovsky's Iolanta and Ravel's L'Enfant et les sortilèges.

****1

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Mark Valencia

Mark has worked in arts journalism for four decades, both as a writer and as a French-English translator. Nowadays he focuses his energies on reviewing opera and music. Mark also writes for Opera magazine and for Musical America as a correspondent for Europe and the UK.