Marc-André Hamelin surveys two centuries of piano sonatas

Por Sam Jacobson, 07 mayo 2026

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“Hamelin gave this emotionally-fraught work a supercharged outing”

Crítica hecha desde Severance Music Center: Mandel Concert Hall, Cleveland el 5 mayo 2026

Haydn, Piano sonata in D major, Hob XVI:37

Beethoven, Sonata para piano núm. 3 en do mayor, Op.2 núm. 3

Weinberg, Piano Sonata no. 6, Op.73

Rajmáninov, Étude-tableau in E flat minor, Op.39 no.5

Rajmáninov, Sonata para piano núm. 2 en si bemol menor, Op.36 (1931 version)

Debussy, Préludes, Bk 2 no. 6: Général Lavine - eccentric

Debussy, Préludes, Bk 2 no. 12: Feux d'artifice

Hamelin, Con Intimissimo Sentimento: Music Box

Marc-André Hamelin, Piano

Amy Beach’s Gaelic returns to Philadelphia after 100-year absence

Cameron Kelsall, 12th March

Conducted by Yannick Nézet-Séguin, the Philadelphia Orchestra’s latest concert also features Liszt’s Second Piano Concerto with Marc-André Hamelin.

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The sublime and the rambunctious: Marc-André Hamelin in Sydney recital

Zoltán Szabó, 15th September

Two mighty piano sonatas bookend Marc-André Hamelin's concert at Sydney's City Recital Hall.

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Marc-André Hamelin aux Jacobins : un engagement de chaque instant

Thibault d'Hauthuille, 25th September

Il n'y a pas eu de round d'observation dans le récital Haydn-Beethoven-Medtner-Rachmaninov du pianiste canadien au festival toulousain.

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Memory and timelessness: Marc-André Hamelin’s poetic piano wizardry

Michelle Assay, 23rd February

Canadian superstar pianist Marc-André Hamelin amazes and moves while hardly breaking sweat in recital at London's Southbank Centre.

*****

Takács Quartet explores folk-inflected repertoire in Cleveland

Sam Jacobson, 23rd January

At the Cleveland Chamber Music Society, the Takács Quartet collaborates with Marc-André Hamelin in works by Price and Dvořák.

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Hamelin’s bracing Ives anchors memorable Cleveland recital

Sam Jacobson, 19th November

Marc-André Hamelin opens his recital with the uncompromising demands of Ives’ Concord Sonata, followed by suites of Schumann and Ravel.

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Sam Jacobson

Sam Jacobson has been writing for Bachtrack since 2015 and is currently in Pittsburgh, having previously lived throughout the Midwest. A keen traveler, he endeavors to see all the great orchestras and opera houses across the US and abroad. Outside of music, he works as a software engineer. He also maintains a blog which can be read here.

Marc-André Hamelin surveys two centuries of piano sonatas in Cleveland recital