Ratmansky's Cinderella in NY

Por Andrew Blackmore-Dobbyn, 22 enero 2015

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“An early piece that shows the artist emerging”

Crítica hecha desde BAM: Howard Gilman Opera House, Nueva York el 20 enero 2015

Cinderella (Alexei Ratmansky)

Mariinsky Ballet

Alexei Repnikov, Dirección

Elena Markovskaya, Diseño de vestuario

Ilya Utkin, Diseño de escena

Nadezhda Batoeva, Bailarín

Vladimir Shklyarov, Bailarín

Ekaterina Kondaurova, Bailarín

Margarita Frolova, Bailarín

Ekaterina Ivannikova, Bailarín

Mariinsky Theatre Orchestra

La CND despliega un logrado tríptico neoclásico

Leonardo Mattana Ereño, 10th July

Tres coreografías de registros estilísticos homogéneos, pero capaces de reservar sorpresas gracias a las cualidades y el buen quehacer de la Compañía Nacional de Danza.

****1

American Ballet Theatre's double bill is short and sweet in New York

Ivy Lin, 15th March

American Ballet Theatre presents Balanchine's Raymonda: Grand Pas Hongrois and Ratmansky's Firebird which showcases the company well and provides a strong contrast.

****1

A spectacular triple bill lifts ABT’s spring season in New York

Leigh Donlan, 13th March

A finely curated triple bill from American Ballet Theatre included works from Balanchine, Jiří Kylián and Alexei Ratmansky.

****1

NYCB: Ratmansky’s The Naked King is not satire, but good fun

Ivy Lin, 7th February

New York City Ballet presents a very entertaining quadruple bill which includes Alexei Ratmansky’s latest work, The Naked King, showing off the company’s comic talents.

****1

NYCB: Balanchine + Ratmansky program warms the audience

Ivy Lin, 20th January

NYCB has a winning triple bill with its Balanchine + Ratmansky program. Excellent dancing and contrasting works sends the audience home in buoyant mood.

*****

Dutch National Ballet's opener in New York: meandering and unfocused

Ivy Lin, 20th November

Dutch National Ballet returning to New York after more than 40 years should have been thrilling. The opening program, whilst beautifully danced, was somewhat muted.

***11

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Andrew Blackmore-Dobbyn

Andrew is currently a professional chef in New York City but he began life as a ballet dancer with the Hartford and Ohio Ballet companies. His writing also appears on the Huffington Post Blog and BroadwayWorld.com. His latest work, nominated for a James Beard Award, is “Return to the Rivers”, a Himalayan cookbook.

Nadezhda Batoeva is dreamy in the Mariinsky’s Cinderella