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Foot-stomping virtuosity from Martin Fröst and the Academy of St Martin in the Fields

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“Fröst suspended the music from an invisible wire with a broad spectrum of tone colours”
Crítica hecha desde Cadogan Hall, Londres el 2 febrero 2017
Britten, Variations on a Theme of Frank Bridge for string orchestra, Op.10
Copland, Concierto para clarinete
Elgar, Sospiri for string orchestra and harp, Op.70
Brahms, Hungarian Dances (arr. for clarinet and orchestra by Göran Fröst)
Bartók, 6 Romanian Folk Dances, Sz 56 (Arr. Martin Fröst)
Tradicional, Klezmer Dances (arr. for clarinet and orchestra by Göran Fröst)
Martin Fröst, Clarinete
Tomo Keller, Violín
Impecable visita de la Academy of St. Martin in the Fields
****1
Joshua Bell and the ASMF thrill in Schumann and Brahms
****1
A snowbound evening with Joshua Bell: comfort and unease in Hamburg
***11
Highly individual Mozart from Buniatishvili
***11
Handel's Messiah overpowered by massed forces at the Proms
***11
Depth and delivery: Joshua Bell and the ASMF in San Francisco
*****
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