To Paradise and back: a thrilling Roi de Lahore

Por Mark Pullinger, 02 marzo 2015

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“Balsadonna and the COG orchestra threw the kitchen sink at the score”

Crítica hecha desde Queen Elizabeth Hall, Londres el 1 marzo 2015

Massenet, Le Roi de Lahore

Chelsea Opera Group

Renato Balsadonna, Dirección

Anush Hovhannisyan, Sitâ

Justina Gringytė, Kaled

Michael Spyres, Alim

Joshua Bloom, A chief, Indra

William Dazeley, Scindia

Jihoon Kim, Timour

Chelsea Opera Group Orchestra

Chelsea Opera Group Chorus

Nuns on the run: Le Comte Ory

Mark Pullinger, 25th June

Italian swagger and French farce combining to raise some much needed laughs despite the restrictions of a concert performance at Cadogan Hall.

***11

At it hammer and tongs: Chelsea Opera Group's Trovatore

Dominic Lowe, 28th February

A spirited performance of Verdi's beloved work highlighted the virtues of opera in concert.

***11

A Wagner rarity: no wine, no women and no carnival either!

Alexander Hall, 25th October

The Chelsea Opera Group give a concert performance of Wagner's early opera Das Liebesverbot conducted by Anthony Negus.

***11

Ernani: Sweltering heat, Spanish passions

Mark Pullinger, 3rd July

Rarely performed, Verdi's fifth opera Ernani is full of fiery passions, with a relentless flow of melodic invention, as heard in this concert performance by Chelsea Opera Group.

***11

La novia vendida vuelve al Real y encandila musical y escenicamente

Leonardo Mattana Ereño, 19th April

Laurent Pelly y Gustavo Gimeno dirigen una encantadora producción de La novia vendida en la que todos los intérpretes extrajeron la mejor esencia de la música de Smetana.

****1

Marina Bollaín actualiza Jugar con fuego con magníficos resultados

Aaron Vincent, 25th March

Actualizar una zarzuela puede ser como jugar con fuego, pero Marina Bollaín regatea las dificultades y capitanea un equipo que convence musical, visual y teatralmente.

****1

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Mark Pullinger

Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.

To Paradise and back: a thrilling Le Roi de Lahore from Chelsea Opera Group