McNicol Ballet Collective's Devotions: steps of gossamer quality

McNicol Ballet Collective in Andrew McNicol's Bates Beats

McNicol Ballet Collective in Andrew McNicol's Of Silence

Greig Matthews and James Stephens in Andrew McNicol's Moonbend

McNicol Ballet Collective in Andrew McNicol's Moonbend

Por Daniel Pratt, 12 junio 2023

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“Body weight is supported in a variety of ways, not simply in the hands of a chivalric male partner”

Crítica hecha desde Royal Opera House: Linbury Theatre, Londres el 10 junio 2023

Moonbend (world premiere) (Andrew McNicol)

Of Silence (Andrew McNicol)

Bates Beats (Andrew McNicol)

McNicol Ballet Collective

Andrew Ellis, Diseño de iluminación

McNicol Ballet Collective: five years, celebrated in style

Alexander Simpkins, 5th April

McNicol Ballet Collective celebrates its 5th anniversary with excerpts of three previous successes and a brand new one act ballet.

***11

Ballet Nights: Changing Perceptions is a bold and beautiful show

Graham Watts, 27th October

A new concept of high-end cabaret ballet with an incredible line up.

****1

NEBT at Peacock Theatre: The future is here

Cristina de Lucas, 2nd July

NEBT presents a very well drafted and delivered programme of new choreography at Peacock Theatre

****1

McNicol Ballet Collective: five years, celebrated in style

Alexander Simpkins, 5th April

McNicol Ballet Collective celebrates its 5th anniversary with excerpts of three previous successes and a brand new one act ballet.

***11

International Draft Works at the Linbury brought much to delight

Amanda Jennings, 16th April

The Royal Ballet's International Draft Works proved to be an excellent opportunity to see dancers and budding choreographers from around the world.

****1

The Turn of the Screw at RBO Linbury: Darkness and denial

Eleanor Knight, 26th March

Natalie Abrahami’s mesmerising new production of Britten’s ghostly tale of sexual abuse is very dark indeed.

*****

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Daniel Pratt

Daniel Pratt trained in London, England, attending the Royal Ballet School Associates program before completing his vocational training at Central School of Ballet where he gained a BA (hons) in Professional Dance and Performance. Daniel joined The Sarasota Ballet in 2012, dancing a broad range of works including ballets by Ashton, Balanchine, MacMillan, and modern works by Taylor, Graham and Tharp. Daniel has also performed with Northern Ballet and English National Ballet. Daniel’s writing on dance has appeared in The Dancing Times and Tanz Magazine. Daniel currently serves on the board of the American Guild of Musical Artists.