Opera North's new Merry Widow: an antidote to winter blues

Por Laura Kate Wilson, 31 diciembre 2010

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Crítica hecha desde Leeds Grand Theatre, Leeds el 19 diciembre 2010

Lehár, Die lustige Witwe (The Merry Widow)

Opera North

Stephanie Corley, Hanna Glawari

Amy Freston, Valencienne

Allan Clayton, Camille de Rosillon

Nicholas Sharratt, Camille de Rosillon

William Dazeley, Camille de Rosillon

Geoffrey Dolton, Baron Mirko Zeta

John Findon triumphs in the return of Opera North’s Peter Grimes

Richard Wilcocks, 13th February

Benjamin Britten’s dark masterpiece Peter Grimes returns triumphantly to Opera North, conducted by Gary Walker and revived by Karolina Sofulak and Tim Claydon.

*****

Opera North’s Susanna: how a woman stood up to her abusers

Richard Wilcocks, 4th October

Handel's oratorio is staged by Olivia Fuchs and conducted by Johanna Soller in Opera North's latest successful collaboration with Phoenix Dance Theatre.

****1

To be or not to be: Hamlet returns to the Buxton Festival

Mark Pullinger, 16th July

After 45 years, Ambroise Thomas' Hamlet returns to Buxton in a gripping, psychological staging by Jack Furness.

****1

Opera North’s “fleeing” Dutchman links to plight of asylum seekers

Richard Wilcocks, 1st February

Opera North’s The Flying Dutchman, directed by Annabel Arden, conjures up frightening storms and links the production to the plight of asylum seekers.

****1

Opera North’s gleeful Magic Flute revived

Richard Wilcocks, 27th September

Conducted by Christoph Konz and directed by James Brining, Opera North’s revival of The Magic Flute remains an inventive reinterpretation of Mozart’s classic opera.

****1

Richard Wilcocks, 15th February

Opera North's revives its Cavalleria rusticana production by Karolina Sofulak, pairing it this time with Rachmaninov's early opera Aleko.

****1

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Laura Kate Wilson

Laura has an MA in English from the University of St Andrews, and has worked as a features writer and a freelance reviewer. She is fascinated by all aspects of opera, but has a particular interest in the role of the baritone on the operatic stage and a passion for the works of Puccini.