Kandinsky and Chagall fail to camouflage patchy playing

Por Jonathan Sutherland, 02 junio 2017

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“three cursor-like shapes scampering over the screen like manic karaoke indicators”

Crítica hecha desde İş Sanat, Istanbul el 31 mayo 2017

Musorgskiï, Cuadros de una exposición

Gluck, Melody from Orphée and Eurydice

Mozart, Fantasía en re menor, K397

Debussy, 12 Études, L.136 (Nos. 3 and 6)

Ravel, La Valse

Chopin, Nocturno núm. 8 en re bemol mayor, op. 27 núm. 2

Mikhail Rudy, Piano

Cockroaches and kaleidoscopes: Mikhail Rudy recital

Mark Pullinger, 27th March

The Institut Français’ three day festival “It’s all about Piano!” kicked off cinematically at King’s Place, with Mikhail Rudy’s compact double bill of Metamorphosis and Pictures at an Exhibition.

***11

It is excellent to have a giant's strength

Robert O'Connor, 10th September

Playing three 45-minute concerts in one afternoon is a herculean triumph. Even if done badly it is still a triumph. Mikhail Rudy did that and fortunately did it very well. The three concerts took place on Sept. 10 at King's Place as part of their festival. The theme of all three was the Russian literature, which is rich with colorful, majestic, exotic and challenging pieces.

Daniele Gatti dirige un Réquiem pulido y contemplativo en Ibermúsica

Leonardo Mattana Ereño, 21st May

La Staatskapelle Dresden presentó con Ibermúsica, el Réquiem de Verdi, junto al Orfeó Català y un cuarteto solista de excepción, quienes bajo la atenta batuta de Danielle Gatti ofrecieron una versión pulida y delicada, alejada del dramatismo que en ocasiones permea la obra.

****1

La Staatskapelle Dresden conquista Madrid con Debussy y Wagner

Jorge Baeza Stanicic, 20th May

Con un programa contrastante, la Staatskapelle Dresden desplegó un maravilloso sonido y una riqueza de texturas tan inusual como reveladora bajo la batuta de Daniele Gatti.

****1

Gürzenich de Colonia y Orozco-Estrada en L’Auditori: narrativa precisa

Maria Sánchez, 18th May

Un recorrido por el posromanticismo germánico, donde la orquesta invitada logró evocar musicalmente el paisaje emocional y la arquitectura sinfónica de los protagonistas del programa.

*****

Sánchez-Verdú estrenó Medea en València

Daniel Martínez Babiloni, 15th May

El Palau de la Música de València estrenó con éxito Medea, un monodrama de José María Sánchez-Verdú.

***11

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Jonathan Sutherland

Jonathan Sutherland is a graduate of the Sydney Conservatorium of Music and the Hochschule Mozarteum in Salzburg. He is also an internationally renowned concert pianist specializing in the music of the 1930s. Jonathan’s first operatic experience was hearing Maria Callas sing Tosca in Covent Garden and he has since heard performances in all continents of the world including over 60 different productions at the Wiener Staatsoper. He has written for The Australian, Opera Today and The Opera Critic as well as Bachtrack. Jonathan speaks English, French, German and Italian fluently and is based in the south of France near Nice.

Kandinsky and Chagall fail to camouflage patchy playing in Istanbul