Kandinsky and Chagall fail to camouflage patchy playing

Por Jonathan Sutherland, 02 junio 2017

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“three cursor-like shapes scampering over the screen like manic karaoke indicators”

Crítica hecha desde İş Sanat, Istanbul el 31 mayo 2017

Musorgskiï, Cuadros de una exposición

Gluck, Melody from Orphée and Eurydice

Mozart, Fantasía en re menor, K397

Debussy, 12 Études, L.136 (Nos. 3 and 6)

Ravel, La Valse

Chopin, Nocturno núm. 8 en re bemol mayor, op. 27 núm. 2

Mikhail Rudy, Piano

Cockroaches and kaleidoscopes: Mikhail Rudy recital

Mark Pullinger, 27th March

The Institut Français’ three day festival “It’s all about Piano!” kicked off cinematically at King’s Place, with Mikhail Rudy’s compact double bill of Metamorphosis and Pictures at an Exhibition.

***11

It is excellent to have a giant's strength

Robert O'Connor, 10th September

Playing three 45-minute concerts in one afternoon is a herculean triumph. Even if done badly it is still a triumph. Mikhail Rudy did that and fortunately did it very well. The three concerts took place on Sept. 10 at King's Place as part of their festival. The theme of all three was the Russian literature, which is rich with colorful, majestic, exotic and challenging pieces.

Excelente Vivaldi con Janine Jansen y la Camerata Salzburg en Madrid

Leonardo Mattana Ereño, 26th April

Janine Jansen ofreció un concierto acompañada por la Camerata Salzburg, demostrando ser una de las violinistas más interesantes del panorama actual.

****1

Resonancias entre tiempos: viaje ulterior con Nicolas Altstaedt

Maria Sánchez, 19th April

Entre la variedad estilística y las diversas maneras de hacer, la música del violonchelista alemán desplegó un muestrario de posibilidades instrumentales en la intimidad monástica.

****1

Una Resurrección destacada con Lebel y la Sinfónica de Xalapa

Vishnu Bachani, 17th April

La Orquesta Sinfónica de Xalapa interpretó, aun con algún desajuste, una poderosa Resurrección de Mahler bajo la dirección de Martin Lebel.

***11

Brunello transita entre Bach y Weinberg un concierto pleno de carácter

Leonardo Mattana Ereño, 10th April

Mario Brunello recorrió obras de Bach y Weinberg en una interpretación plena de personalidad, cuyo carácter unitario mostraba voluntad por ofrecer una experiencia viva.

****1

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Jonathan Sutherland

Jonathan Sutherland is a graduate of the Sydney Conservatorium of Music and the Hochschule Mozarteum in Salzburg. He is also an internationally renowned concert pianist specializing in the music of the 1930s. Jonathan’s first operatic experience was hearing Maria Callas sing Tosca in Covent Garden and he has since heard performances in all continents of the world including over 60 different productions at the Wiener Staatsoper. He has written for The Australian, Opera Today and The Opera Critic as well as Bachtrack. Jonathan speaks English, French, German and Italian fluently and is based in the south of France near Nice.

Kandinsky and Chagall fail to camouflage patchy playing in Istanbul