Kent Nagano's farewell to Hamburg: Nante and Brahms in dialogue

Kent Nagano

Kent Nagano conducts the Philharmonisches Staatsorchester Hamburg and Audi Jugendchorakademie

Por Mengguang Huang, 29 junio 2025

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“enveloping the audience in a ritualistic, overlapping sonic cloud”

Crítica hecha desde Elbphilharmonie: Grand Hall, Hamburg el 29 junio 2025

Brahms, Sinfonía núm. 4 en mi menor, op. 98

Nante, Symphony "Anahata"

Philharmonisches Staatsorchester Hamburg

Kent Nagano, Dirección

Mojca Erdmann, Soprano

Hanno Müller-Brachmann, Barítono

Audi Jugendchorakademie

Nagano y Eberle en Madrid: el denso frenesí brahmsiano

Ramón del Buey Cañas, 22nd January

La Filarmónica de Hamburgo y Kent Nagano se presentaron en Madrid con un programa finamente hilado: dos magníficas composiciones de Brahms y un estreno de Jesús Rueda basado a su vez en una obra del compositor de Hamburgo.

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Frauenliebe und -sterben: Kratzer’s triple bill at Staatsoper Hamburg

Mengguang Huang, 15th April

Director Tobias Kratzer engineers a haunting pasticcio of Schumann, Bartók and Zemlinsky, tracing the domestic sphere’s shift from romantic surrender to the blood-soaked secrets of a century-spanning house.

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Fast Forward: Hamburg Ballet’s mixed bill proves a mixed success

Vikki Jane Vile, 22nd February

All that glistens... the world premiere of Xie Xin’s The Moon in the Ocean is the highlight of a mixed bill programme spanning 90 years of choreography.

***11

Vampires, Disney and Donald Trump: Monster’s Paradise in Hamburg

Kevin W Ng, 1st February

Olga Neuwirth and Elfriede Jelinek take on Donald Trump in their latest operatic collaboration.

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Unsuk Chin's opera Die dunkle Seite des Mondes premieres in Hamburg

Mengguang Huang, 31st May

At Staatsoper Hamburg, Unsuk Chin’s new opera The Dark Side of the Moon immerses audiences in an hypnotic, introspective journey, where dreams, science and psyche collide in a rigorously crafted, thought-provoking spectacle.

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5-star musicianship in Hamburg’s Elbphilharmonie

Simon Thompson, 6th April

Our writer is dazzled by the venue, but the music that the Hamburgers play in it proves pretty dazzling too; Martinů’s Double Concerto is a showcase for both the players and the hall.

*****

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Mengguang Huang

Mengguang Huang is a Hamburg-based project manager in the construction industry. With a strong passion for classical music, he was introduced to the world of early music during his time in the UK, where he developed a particular fondness for renaissance and Baroque vocal music. Driven by his love for this genre, he now makes it a priority to attend major Baroque opera productions and concerts across Western Europe whenever possible, continuing to deepen his appreciation for this rich musical tradition.