Milano Musica presents music by Morton Feldman in an art gallery

Por James Imam, 05 noviembre 2013

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Crítica hecha desde Gallerie d'Italia, Milán el 2 noviembre 2013

Ives, Sonata no. 4, for violin and piano, "Children's Day at the Camp Meeting"

Feldman, Extension 1, for violin and piano

Cage, Nocturne for violin and piano

Wolpe, Form, for piano

Feldman, Spring of Chosroes, for violin and piano

Carter, Rhapsodic Musings, for violin

Crumb, Four Nocturnes "Night Music II"

Francesco D'Orazio, Violín

Giampaolo Nuti, Piano

Francesco D'Orazio plays a masterful recital in Cleveland

Timothy Robson, 9th December

D'Orazio proved in a program that included Berio's Sequenza VIII why he is a leading exponent of contemporary violin composition.

****1

Electrifying Oedipus Rex at the Proms

Paul Kilbey, 7th August

An impressive performance of Oedipus Rex under Sakari Oramo, demonstrating that his rapport with his new orchestra has grown rapidly.

***11

Perianes culmina su integral beethoveniana con la Sinfónica de Galicia

Pablo Sánchez Quinteiro, 29th May

Javier Perianes asume el doble papel de solista y director frente a la Orquesta Sinfónica de Galicia para cerrar el ciclo de conciertos de piano de Beethoven.

****1

Música y virtud: Lang Lang ovacionado en el Palau de la Música

Maria Sánchez, 29th May

Lang Lang resolvió con elegancia, control y dominio de ejecución una paleta variada de caracteres pianísticos.

****1

Clasicismo en Ibermúsica con The Constellation Orchestra y Gardiner

Jorge Baeza Stanicic, 27th May

Sir John Eliot y la formación The Constellation Orchestra ofrecieron, en la Serie Babieri de Ibermúsica un excelente y contrastante concierto centrado en el Clasicismo.

****1

Lazarova enciende la Sinfónica de Galicia con un brillante Bartók

Pablo Sánchez Quinteiro, 22nd May

La directora Delyana Lazarova debutó al frente de la Orquesta Sinfónica de Galicia con un excelso Concierto para orquesta de Bartók.

*****

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James Imam

James Imam is an arts journalist writing for publications including The Financial Times, The Times, Musical America and Opera magazine. He grew up in Manchester, read anthropology at Cambridge and has since lived in Milan. As a once-aspiring countertenor he has an abiding interest in Baroque music.