Defining experiences: Olga Neuwirth in portrait at Columbia University's Miller Theatre

Por Rebecca Lentjes, 08 diciembre 2012

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Crítica hecha desde Columbia University, Miller Theatre, Nueva York el 6 diciembre 2012

Neuwirth, locus... doublure... solus

Neuwirth, ...ce qui arrive...

International Contemporary Ensemble

Jayce Ogren, Dirección

Cory Smythe, Piano

Julia Bullock in Meditations for Joséphine at Adelaide Festival

Sandra Bowdler, 3rd March

A challenging depiction of Joséphine Baker brilliantly performed by Julia Bullock under the direction of Peter Sellars at the Adelaide Festival.

****1

ICE plays Jennie C Jones at the Metropolitan Museum

Kurt Gottschalk, 5th October

The Met Museum is currently home to three large sculptures by multidisciplinary artist Jennie C Jones, whose graphic scores are performed by the International Contemporary Ensemble.

****1

Perle Noire: kammermusikalische Meditationen in Amsterdam

Michael Klier, 9th March

Tyshawn Soreys Perle Noire: Meditationen für Joséphine hinterlässt eine unvergleichbare Note und individuellen Flair.

***11

ICE shows a new and exciting side of Dai Fujikura at Miller Theatre

Kurt Gottschalk, 5th March

Building on 15 years of collaboration with the ensemble, Gilded Wings (for two clarinets and strings) revealed a new maturity in Fujikura's always enjoyable music.

*****

Jörg Widmann's somber humor at Carnegie Hall

Kurt Gottschalk, 28th January

In fragments and miniatures, the ensemble pieces were most satisfying, allowing Widmann not to build arguments but define subjects by contrast, showing a quick wit and a flair for suspense.

*****

Kopernikus revival finds inspiration – and cliché – in the afterlife

Kurt Gottschalk, 15th May

Composer Claude Vivier approaches the unknowable with a text delivered by a septet of vocalists in a language of his own invention. But the new production adds overly literal video, trading abstraction for the obvious.

***11

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Rebecca Lentjes

Rebecca graduated from New York University in 2012, where she studied Music and Romance Languages. She now works as an assistant editor at RILM (Répertoire International de Littérature Musicale) and as manager of contemporary music collective ensemble mise-en.