David Dorfman's Come, and Back Again a personal, compelling confession, if a bit cloying

Citizen is about many things and, while race is certainly central, there is also the question of what it means to belong, not to belong and to not even want to belong.

John Jasperse once more proves himself the master of form, function and, in this case, danceable art history.

Wendy Whelan is proving that there’s plenty of life for older dancers if there are new works that can make use of their special abilities and lifetime of experience.

William Kentridge’s chamber opera Refuse the Hour emerged amid a hurricane of clashing out-of-sync metronomes, frenetic choreography, African drumming, brass glissandi, and sound-making contraptions. 

Alan Smithee Directed This Play at the Brooklyn Academy of Music is another quirky, and inventive piece , by Big Dance Theater.

New Yorkers flocked to BAM on Thursday to celebrate the beginning of the Next Wave Festival 2014. Even more discerning audiences were just around the corner at BAM’s Harvey Theater for a program that featured soprano Dawn Upshaw and pianist Gilbert Kalish.