Frans Brüggen and the Orchestra of the Eighteenth Century in Amsterdam

Por Kristen Huebner, 15 octubre 2012

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Crítica hecha desde Concertgebouw: Main Hall, Ámsterdam el 13 octubre 2012

Bach, Suite orquestal núm. 1 en do mayor, BWV1066

Bach, Concierto para violín en la menor, BWV1041

Bach, Concierto para violín en mi mayor, BWV1042

Rameau, Naïs: Suite

Orchestra of the Eighteenth Century

Frans Brüggen, Dirección

Giuliano Carmignola, Violín

Kleine Welt, große Musik: Haydn und Mozart mit dem Orchestra18c

Jens Klier, 5th April

Viel Verbindung in einem Kernrepertoire-Konzert von Ensemble, Dirigent Lehmann, Sopransolistin Dain und Pianist Ablogin, an dessen Ende die Komponisten aus dem Himmel durchklingelten?

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Requiem aux Sommets : Reuss et le XVIIIe siècle comme chez eux

Tristan Labouret, 6th February

Le chef-d'œuvre de Mozart a bénéficié d'une interprétation de toute beauté aux Sommets musicaux de Gstaad, avec l'Ensemble Vocal de Lausanne et l'Orchestre du XVIIIe siècle.

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Toxic masculinity in Orchestra of the 18th century's Don Giovanni

Nicolas Nguyen, 15th October

The Orchestra of the 18th Century proves the main asset of a rewarding Don Giovanni at the Amsterdam Concertgebouw.

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Paula Murrihy a fantastic Sesto in Concertgebouw Clemenza

Nicolas Nguyen, 18th October

Kenneth Montgomery leads the Orchestra of the 18th Century and a fine team of young soloists in a swift, finely detailed interpretation of La clemenza di Tito.

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A blast from the past: Orchestra of the 18th century

Andrew Larkin, 29th November

Finghin Collins and Rosanne van Sandwijk shine as soloists while the Orchestra of the 18th Century was as authoritative as ever under the baton of Kenneth Montgomery.

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"Maybe he's immortal?": Frans Brüggen memorial concert

Cynthia Wilson, 24th October

His passing last August was no surprise. Anyone who had witnessed Frans Brüggen conduct in recent years knew that he was far from healthy and old for his years.

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Kristen Huebner

Originally from the USA, Kristen Huebner now bases her musical life in the Netherlands and Europe. She currently tours with the Amsterdam Baroque Orchestra & Choir under the direction of Ton Koopman and has collaborated alongside members of the Orchestra of the Eighteenth Century under Frans Brüggen. Her work with the Paris-based Ensemble Diderot, has led to numerous appearances at festivals such as Musikfest Erzgebirge and the Bach Biennale Weimar. Kristen’s research on Empfindsamkeit in the chamber music of C.P.E. Bach has been adapted into an article for Music & Practice, published in 2015. Kristen joined the teaching team at the 2022 Zomer Academie Zutphen, where she led the traverso masterclass.