Perlman and Ax bring warmth and congeniality to Ravinia

Por Sam Jacobson, 12 septiembre 2015

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Crítica hecha desde Ravinia Festival Pavilion, Chicago el 9 septiembre 2015

Mozart, Violin Sonata in C major, K296

Fauré, Violin sonata no. 1 in A major, Op.13

Strauss R., Sonata para violín y piano en mi bemol mayor, Op.18

Schumann, Fantasiestücke, Op.73 (No. 1)

Kreisler, Three Old Viennese Dances: Liebesleid

Kreisler, Three Old Viennese Dances: Liebesfreud

Itzhak Perlman, Violín

Emanuel Ax, Piano

Haitink, Ax y la LSO: perderse en la aventura conocida

Ramón del Buey Cañas, 23rd October

Arranca la temporada XLVIII de Ibermúsica y uno se encamina al Auditorio Nacional con el convencimiento de que asistirá a un concierto prácticamente infalible. Igual que leer el Tristam Shandy o ver Casablanca: el trance tiene aroma de ritual.

*****

Weinberg rarity overshadows John Williams at the New York Philharmonic

Cameron Kelsall, 1st March

John Williams put butts in seats with the New York debut of his Piano Concerto, but the NY Phil's first performances of Mieczysław Weinberg’s Symphony no. 5 stole the show.

****1

Matthias Pintscher: a triple threat comes to Disney Hall

Néstor Castiglione, 13th November

Los Angeles Philharmonic audiences got a taste of Pintscher as conductor, concerto partner, and composer.

*****

Worthy world premiere of John Williams’ Piano Concerto at Tanglewood

Kevin Wells, 26th July

John Williams' new concerto evokes the spirit of jazz virtuosos, paying tribute to Art Tatum, Bill Evans and Oscar Peterson.

****1

Emanuel Ax et Nathalie Stutzmann de l'intime aux grands espaces

Pierre Michel, 20th March

Le pianiste étatsunien a livré un Concerto pour piano n° 4 de Beethoven sobre et concentré, avant que la cheffe ne déchaîne les forces de l'Orchestre de Paris dans Wagner.

****1

New beginnings: Michael Tilson Thomas opens NY Phil season with Mahler

Kevin W Ng, 12th September

Michael Tilson Thomas' energy and wisdom remain undimmed in the New York Philharmonic's season opener.

*****

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Sam Jacobson

Sam Jacobson has been writing for Bachtrack since 2015 and is currently in Pittsburgh, having previously lived throughout the Midwest. A keen traveler, he endeavors to see all the great orchestras and opera houses across the US and abroad. Outside of music, he works as a software engineer. He also maintains a blog which can be read here.