Perlman and Ax bring warmth and congeniality to Ravinia

Von Sam Jacobson, 12 September 2015

Laden, bitte warten...

Veranstaltung anzeigen

Rezensierte Veranstaltung: Ravinia Festival Pavilion, Chicago, am 9 September 2015

Mozart, Violinsonate C-Dur, K296

Fauré, Violinsonate Nr. 1 A-Dur, Op. 13

Strauss R., Sonate für Violine und Klavier in Es-Dur, Op.18

Schumann, Fantasiestücke, Op.73 (No. 1)

Kreisler, Alt-Wiener Tanzweisen: Liebesleid

Kreisler, Alt-Wiener Tanzweisen: Liebesfreud

Itzhak Perlman, Violine

Emanuel Ax, Klavier

Aus Liebe zum Detail: Emanuel Ax zu Gast in Berlin

Sebastian Urmoneit, 28th June

Kent Nagano leitet einen virtuosen Saisonausklang des Deutschen Symphonie-Orchesters.

****1

Beethoven in heiterem Gewand

Christine Arnold, 13th June

Mit technischer Präzision demonstrierte Emanuel Ax fünffachen Beethoven in heiterem Gewand.

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Weinberg rarity overshadows John Williams at the New York Philharmonic

Cameron Kelsall, 1st March

John Williams put butts in seats with the New York debut of his Piano Concerto, but the NY Phil's first performances of Mieczysław Weinberg’s Symphony no. 5 stole the show.

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Matthias Pintscher: a triple threat comes to Disney Hall

Néstor Castiglione, 13th November

Los Angeles Philharmonic audiences got a taste of Pintscher as conductor, concerto partner, and composer.

*****

Worthy world premiere of John Williams’ Piano Concerto at Tanglewood

Kevin Wells, 26th July

John Williams' new concerto evokes the spirit of jazz virtuosos, paying tribute to Art Tatum, Bill Evans and Oscar Peterson.

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Emanuel Ax et Nathalie Stutzmann de l'intime aux grands espaces

Pierre Michel, 20th March

Le pianiste étatsunien a livré un Concerto pour piano n° 4 de Beethoven sobre et concentré, avant que la cheffe ne déchaîne les forces de l'Orchestre de Paris dans Wagner.

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Sam Jacobson

Sam Jacobson has been writing for Bachtrack since 2015 and is currently in Pittsburgh, having previously lived throughout the Midwest. A keen traveler, he endeavors to see all the great orchestras and opera houses across the US and abroad. Outside of music, he works as a software engineer. He also maintains a blog which can be read here.