Saluti da Roma as Pappano conducts Bernstein and Mahler

Por Alexander Hall, 11 agosto 2018

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“strings which in their sweetness and succulence recall the painter Paolo Veronese”

Crítica hecha desde Royal Albert Hall, Londres el 10 agosto 2018

Haydn, La Creación, Hob XXI:2

Bernstein, Symphony no. 1, "Jeremiah"

Mahler, Sinfonía núm. 1 en re mayor 'Titán'

Respighi, Ancient Airs and Dances: Suite no.3: Italiana

Rossini, Guillaume Tell: Galop

Elizabeth DeShong, Mezzosoprano

Orchestra dell'Accademia Nazionale di Santa Cecilia

Sir Antonio Pappano, Dirección

Antonio Pappano y la atracción de lo imperfecto

David Santana Cañas, 13th November

Antonio Pappano y la Orchestra dell’Accademia Nazionale di Santa Cecilia muestran al público de Madrid la belleza de lo inconcluso.

****1

Yunchan Lim, Daniel Harding and the Santa Cecilia in Seoul

SangKwon Lee, 4th December

Daniel Harding and the Orchestra dell’Accademia Nazionale di Santa Cecilia choose proportion over spectacle as their Asian tour reaches Seoul.

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Sir Antonio Pappano returns to Santa Cecilia for Mozart and Bruckner

Pia Maltri, 30th October

Now Director Emeritus of the Orchestra dell'Accademia Nazionale di Santa Cecilia, Sir Antonio Pappano conducts the rarely heard Mass in F minor by Anton Bruckner.

****1

Lorenzo Viotti conducts the death and rebirth of Spring in music

Alissa Balocco, 8th February

The Swiss conductor returns to the Accademia Nazionale di Santa Cecilia, presenting a triptych of pieces by Schumann, Debussy and Zemlinsky inspired by the season of renewal.

****1

Bereft blues as the Santa Cecilia and Hrůša play at Prague Spring

Frank Kuznik, 18th May

Lackluster Gershwin undercuts an otherwise impressive outing by Jakub Hrůša and the Orchestra dell’Accademia Nazionale di Santa Cecilia.

****1

Kirill Gerstein: a Mozartian master with the Santa Cecilia

Alissa Balocco, 25th January

The pianist enchants the audience with Mozart's Piano Concerto no. 20 in D minor, conducted by Leonidas Kavakos.

***11

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Alexander Hall

Alexander Hall divides his time between London and Hamburg, where he had a career in academic administration and teaching. He reviews for Bachtrack and Opera Today, and has also reviewed for Classical Source. A connoisseur of the great orchestras of the world, his musical memories stretch back to Karajan/Berlin Phil, Mravinsky/Leningrad Phil, Bernstein/Vienna Phil, and he has seen most of the great conductors from the past, including Böhm, Klemperer, Kubelik, Ormandy and Szell.

Prom 37: Saluti da Roma as Pappano conducts Bernstein and Mahler