Prom 40: Royal assortment from the OAE

Por David Truslove, 19 agosto 2019

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“the aural equivalent of looking through a telescope the wrong way”

Crítica hecha desde Royal Albert Hall, Londres el 16 agosto 2019

Sullivan, Victoria and Merrie England: suite

Mendelssohn, Concierto para piano núm. 1 en sol menor, Op.25

Chopin, Nocturno núm. 2 en mi bemol mayor, op. 9

Prince Albert of Saxe-Coburg and Gotha, Songs

Mendelssohn, Sinfonía núm. 3 en la menor, "Escocesa", Op.56

Alessandro Fisher, Tenor

Sir Stephen Hough, Piano

Orchestra of the Age of Enlightenment

Ádám Fischer, Dirección

Una gran sinfonía para un gran final

David Santana Cañas, 30th May

Elgar, Strauss y el Sibelius más épico son el repertorio elegido por Ibermúsica para cerrar su Serie Barbieri de la mano de Thierry Fischer.

****1

Immersive OAE submerged at Southbank’s Multitudes festival

Mark Valencia, 22nd April

The road to immersion is paved with modish deflections as the Orchestra of the Age of Enlightenment performs 20th-century English string music.

**111

Mixed Mozart from the Orchestra of the Age of Enlightenment

Dominic Lowe, 26th February

A Mozart's of symphonies – his last – under conductor Robin Ticciati is capped with a fine Jupiter, but is let down by the performances of its two predecessors.

***11

Haydn pur: Sir András Schiff mit dem OAE in Dortmund

Jens Klier, 19th November

Die Melange aus bestimmter Lässigkeit und zwinkernder Süffisanz ließ bei neuerlichem Haydn dieser geistreichen Londoner Künstlergemeinschaft wieder kaum redensartliches Auge trocken.

****1

John Butt and the OAE celebrate Handel's Solomon

Roy Westbrook, 12th October

The Queen of Sheba is clearly in a hurry in this account of Handel's oratorio at the Queen Elizabeth Hall.

*****

Enescu Festival immersion: Bach on the street, Klimt in the forest

Peter Quantrill, 11th September

At the George Enescu International Festival, a pair of new shows crossing genres and reinventing the classics, with mostly enlightening results.

****1

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David Truslove

After many years as a musician – conducting choirs, singing as a lay clerk at Winchester Cathedral and an involvement in education, David now writes programme notes, occasionally composes and enjoys a busy schedule of reviewing.

Prom 40: Royal assortment from the Orchestra of the Age of Enlightenment