Greek myths galore from Armonia Atenea

Por Nahoko Gotoh, 05 agosto 2014

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Crítica hecha desde Cadogan Hall, Londres el 2 agosto 2014

Handel, Alessandro (overture)

Hasse, Aremisia: sinfonia

Paisiello, Olimpiade: E mi lasci cosi?

Paisiello, Olimpiade: Ne' giorni tuoi felici

Lully, Phaëton: suite

Vivaldi, Il Giustino, RV 717: Vedrò con mio diletto

Gluck, Orphée et Eurydice: Dance of the blessed spirits

Gluck, Orphée et Eurydice: Dance of the Furies

Gluck, Iphigénie en Aulide: Ma fille, Jupiter

Paisiello, Olimpiade: Sciogli, oh Dio! le sue catene

Myrsini Margariti, Soprano

Irini Karaianni, Mezzosoprano

Armonia Atenea

George Petrou, Dirección

Un peculiar Orlando furioso en el Teatro Real

David Santana Cañas, 17th June

Los cambios en la partitura marcaron el estreno en el Teatro Real del Orlando furioso de Vivaldi en una velada en la que la voz de Julia Lezhneva fue protagonista.

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Vögelchen, piep mehrmals! Vivaldis Orlando furioso bei Klangvokal

Jens Klier, 17th June

Arienhits und sonstiger Wahnsinn verzauberten in Parnassus' verlässlicher Qualität die Zuhörer.

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Leonardo Vinci's music revived by Franco Fagioli at Bayreuth Baroque

Lorenzo Fiorito, 11th September

The Argentinian, one of the greatest countertenors of his generation, is today's specialist in the repertoire of Neapolitan composer Leonardo Vinci.

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Mit Erben ist gut Werben: Carlo il Calvo eröffnet Bayreuth Baroque

Jens Klier, 5th September

Manchmal bedurfte es eines Sich-Einfindens, letztlich überzeugten Ensemble und Regie aber in bewährter wie einnehmend gekonnter Weise.

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Porpora's Orfeo: a plunge into the Neapolitan golden century

Lorenzo Fiorito, 2nd August

Nicola Porpora's pasticcio was one of the highlights of the 45th edition of the Festival della Valle d'Itria in Martina Franca.

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Rivals: Max Emanuel Cenčić in Halle

Sandra Bowdler, 8th June

Max Emanuel Cenčić with Armonia Atenea under George Petrou provide an exciting and satisfying concert at the Halle Handel Festival

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Nahoko Gotoh

Nahoko is a UK-based Japanese music journalist with a background in musicology. She writes regularly for various Japanese media including Ongaku no tomo and Mostly Classic magazines.

Lively Proms debut from Greek ensemble Armonia Atenea