A microtonal affair from London Sinfonietta

Por Penny Homer, 21 agosto 2016

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Crítica hecha desde The Roundhouse, Londres el 20 agosto 2016

Birtwistle, The Message

Haas, Open Spaces II (UK premiere)

Levi, Signal Before War

Sawer, April \ March (BBC co-commission: world premiere)

Greenwood, smear

Ligeti, Ramifications, for strings

London Sinfonietta

Andrew Gourlay, Dirección

London Sinfonietta explodes fixed views of Boulez

Roy Westbrook, 5th October

Pierre Boulez died in 2016, but on this evidence of this exploration into …explosante-fixe…, his music will live on.

*****

Patterns in motion: Sasha Waltz & Guests dance Riley’s In C

Marat Ingeldeev, 29th April

An evening of thrilling choreography and seamless synergy between dance and music, as Sasha Waltz & Guests and the London Sinfonietta bring Terry Riley’s legendary In C to life.

****1

London Sinfonietta's ‘Hidden Voices’ lack a narrative strand

Susannah Moody, 3rd April

The London Sinfonietta blends premieres and poetry in a confusing evening at the Southbank Centre.

**111

London Sinfonietta’s spectacular exploration of Cage and Boulez

Marat Ingeldeev, 9th March

Musical cross-pollination came to life in London Sinfonietta’s electrifying performance, in a seamless blend of theatre, history and virtuosic playing.

*****

London Sinfonietta weave Love Lines with passion and drama

Christopher Woodley, 6th December

Engaging performances, including two world premieres, are served up by one of Kings Place's partners in the ‘Scotland Unwrapped’ season.

****1

Failing better, sounding again: Beckett and Feldman at the Southbank

Marat Ingeldeev, 29th November

Beckett’s theatrical precision and Feldman’s fragile soundscapes cross paths at the Southbank Centre, creating a fleeting beauty in a profound artistic dialogue.

****1

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Penny Homer

Penny Homer graduated from the University of Nottingham with a Bachelor of Music degree in 2003, where she was also a choral scholar at St Barnabas Cathedral. She is keenly interested in arts and education, and her work across both includes stints at Akademi South Asian Dance UK and Benslow Music Trust. Additionally she worked for Edition Peters in their sales department before joining the Association of British Choral Directors as their Training Manager. Penny currently sings at Eton Lower Chapel, St Andrews Fulham Fields, Wimbledon Choral Society, Londinium and Vocal Constructivists, and continues her vocal studies with Ian Kennedy.

Proms At... Roundhouse: a microtonal affair from London Sinfonietta