French Baroque in Stockholm

Por Laura Servidei, 15 mayo 2017

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Crítica hecha desde Konserthuset Stockholm: Grünewaldsalen, Estocolmo el 14 mayo 2017

Rameau, Dardanus: suite (Excerpts)

Rameau, Les Indes Galantes: Suite (Excerpts)

Rameau, Castor et Pollux: Arias

Rameau, Les Fêtes d'Hébé, ou les Talens Lyriques (Excerpts)

Lully, Le Bourgeois gentilhomme, LWV43: Marche pour la cérémonie des Turcs

Rameau, Les Boréades (Excerpts)

Rameau, Le Temple de la Gloire: Ces oiseaux par leur doux ramage

Rameau, Pigmalion: Suite (Excerpts)

Orpheus Barockensemble

Mariangiola Martello, Leader, Clave

Anders Dahlin, Tenor

Lorenzo Coppola and three historical clarinets seduce Stockholm

Laurence Vittes, 14th February

Hosted by the roguish Italian clarinet virtuoso, a wonderful live-streamed concert turned into a brilliant entertainment experience that could be a model for concerts online – and live.

*****

L’incoronazione di Poppea en demi-teinte d’I Gemelli au TCE

Georgiana Hatara, 24th May

La belle performance instrumentale de l'ensemble ne suffit pas à faire oublier les limites de la mise en espace et de la direction d'acteur, qui font parfois tourner l'œuvre de Monteverdi à la caricature.

***11

Györgyi Vashegyi dirigiert Il ritorno di Tobia

Jens Klier, 29th April

Souveräne Orfeo Orchestra und Purcell Choir sowie virtuose Solisten halten ein überzeugend theatralisches Plädoyer für eine häufigere Aufführung dieses herrlichen Oratoriums.

****1

Klaus Mäkelä conducts a fluent Bach Mass in B minor in Oslo

Stephen Pritchard, 7th April

Dead air swallows the acoustic, so it’s no wonder this orchestra and choir is busy raising funds to build its own concert hall in Oslo.

***11

L'excellence d'I Gemelli célèbre Le Retour d’Ulysse dans sa patrie

Philippe Ramin, 23rd October

L'opéra de Monteverdi bénéficie d'une distribution superlative et d'un ensemble instrumental stupéfiant. Un concert qui fera date.

*****

French Baroque meets modern dance at Drottningholm

Laura Servidei, 31st July

Saburo Teshigawara sets Rameau’s opéra-ballet Pigmalion as a compelling dance performance

***11

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Laura Servidei

Mathematician, science nerd, translator of popular science books, obsessed opera fan since the teen years. Day job: business analyst in a software house developing systems for the financial industry. Amateur choral singer. Main musical interests: baroque music and Italian opera. Originally from Italy, currently based in Sweden. I make a mean eggplant parmesan.

French Baroque in Stockholm: the Orfeus Barockensemble plays Rameau