Climate change and classic arias: Renée Fleming in Saratoga Springs

Renée Fleming with the Philadelphia Orchestra

Renée Fleming at the Saratoga Performing Arts Center

Por Cameron Kelsall, 16 agosto 2025

Descargando, espere, por favor...

Ver la programación

“the passage of time seems to elude America’s diva”

Crítica hecha desde Saratoga Performing Arts Center, Saratoga el 15 agosto 2025

Handel, Atalanta HWV 35: Care selve

Muhly, Endless Space

Wagner, Die Meistersinger von Nürnberg: preludio al Acto 1

Leoncavallo, La bohème: Musette svaria sulla bocca viva

Puccini, Gianni Schicchi: O mio babbino caro

Dickens, Pretty Bird

Canteloube, Chants d'Auvergne: Bailero

Schneider, Our Finch Feeder

Björk, All is Full of Love

Villa-Lobos, Floresta do Amazonas: Final

Shore, Film music from The Return of the King (Twilight and Shadow)

Puts, Evening

Green, Red mountains Sometimes Cry

Gould, American Salute

Kander, A Letter from Sullivan Ballou

Porter, Begin the Beguine

Kander, The Visit: Love and Love Alone

Rodgers, Carousel: You'll never walk alone

Lippa, The Diva

Cohen, Hallelujah

Loewe, My Fair Lady: I could have danced all night

Renée Fleming, Soprano

The Philadelphia Orchestra

Robert Moody, Dirección

A superb Salzburg sojourn: Philadelphia Orchestra plays Mozart

Cameron Kelsall, 11th April

Guest conductor Harry Bicket brings a sense of urgency to Mozart's Requiem and pulse-quickening energy to Symphony no. 40.

****1

Energy, precision and drama from the Philadelphia Orchestra

Susan Stempleski, 31st March

Marin Alsop is joined by pianist Hayato Sumino as she conducts the Philadelphians in an exhilarating program of works by John Adams, Gershwin and Prokofiev.

****1

Amy Beach’s Gaelic returns to Philadelphia after 100-year absence

Cameron Kelsall, 12th March

Conducted by Yannick Nézet-Séguin, the Philadelphia Orchestra’s latest concert also features Liszt’s Second Piano Concerto with Marc-André Hamelin.

****1

When we dead awaken: Mahler 2 returns to Philadelphia

Cameron Kelsall, 8th March

Yannick Nézet-Séguin and the Philadelphia Orchestra deliver a supreme meditation on the power of music and faith.

*****

Hilary Hahn returns to the stage with the Philadelphia Orchestra

Cameron Kelsall, 13th February

After a six-month break to address persistent injuries, the bravura violinist appears in one of her signature pieces: Prokofiev's Violin Concerto no. 1.

***11

Rarities surround Tchaikovsky favorite at the Philadelphia Orchestra

Cameron Kelsall, 6th February

Concertmaster David Kim performs Tchaikovsky's ever-popular Violin Concerto, and conductor Rafael Payare revisits Falla's El amor brujo.

***11

Más críticas...

Cameron Kelsall

Cameron Kelsall is a classical music critic and cultural reporter. He has written for Bachtrack since 2019, and his byline has appeared in many national and international classical music publications. Based in Philadelphia, he regularly travels around the United States for musical events. In addition to his career in journalism, Cameron also teaches in the Theatre Arts program at the University of Pennsylvania. He is also a certified sommelier and avid home cook. His favorite composer is Mahler. Twitter: @CameronPKelsall.