Curtis Opera Theatre offers overwhelming double bill of family tragedy

Philadelphia native Susan Gould has been writing professionally about classical music since her Barnard College years in New York. She has written for both American and European publications, primarily during fifteen years in Europe, and has done liner notes for recordings and program notes for opera companies and orchestras. Among those she has interviewed have been Sills, Tebaldi, Popp and Fleming; Bumbry, Ludwig, Fassbaender, and von Stade; del Monaco, Kraus and Pavarotti; Prey, Morris and Ramey; Muti, Abbado, Giulini, Sawallisch, and Eschenbach. Fluent in Italian, German and French, she has coached both student and professional singers in foreign-language diction since 1980.