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On all cylinders: Leo Nucci and Nadine Sierra thrill in La Scala's classic Rigoletto

Por James Imam, 15 enero 2016
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“at the age of 73, Nucci now eats this operatic challenge for breakfast”
Crítica hecha desde Teatro alla Scala, Milán el 13 enero 2016
Programa
Verdi, Rigoletto
Intérpretes
Teatro alla Scala
Nicola Luisotti, Dirección
Gilbert Deflo, Dirección de escena
Ezio Frigerio, Diseño de escena
Franca Squarciapino, Diseño de vestuario
Vittorio Grigolo, The Duke of Mantua
Leo Nucci, Rigoletto
Nadine Sierra, Gilda
Carlo Colombara, Sparafucile
Annalisa Stroppa, Maddalena
Chiara Isotton, Giovanna
Coro del Teatro alla Scala
Orchestra del Teatro alla Scala
Más críticas de Ópera
Diamonds and steel: Anna Pirozzi rules in La Scala’s Turandot revival
Laura Servidei, 12th April

Visually enchanting and meticulously staged, this centenary revival confirms Livermore's production as a modern classic. 

****1
The Ring returns to the Rhine: Götterdämmerung at La Scala
Laura Servidei, 1st February
Under Alexander Soddy’s powerful conducting and Sir David McVicar’s dark, evocative staging, the Ring finds a searing conclusion, anchored by a powerful Brünnhilde from Camilla Nylund, as the world burns.
*****
Shostakovitch’s Lady Macbeth conquers La Scala on opening night
Laura Servidei, 7th December

Shostakovich's brutal tale of sex, murder and madness storms La Scala's opening night, with Riccardo Chailly leading his final season premiere as Music Director. 

****1
The game of love: Robert Carsen’s new Così fan tutte at La Scala
Laura Servidei, 8th November

Alexander Soddy leads a great cast in a clever, supremely entertaining new production in Milan.

****1
Pelly’s iconic Fille du régiment retains its charm at La Scala
Laura Servidei, 17th October

Julie Fuchs and Juan Diego Flórez give life to the refreshing and funny take of Laurent Pelly’s classic production, under the baton of Evelino Pidò. 

****1
Martone's modern Rigoletto returns with power and flaws to La Scala
Laura Servidei, 10th October

A Rigoletto revival in Milan is elevated by a stellar vocal performance from Amartuvshin Enkhbat, despite a finale that divides opinion and some uneven orchestral pacing. 

***11
Más críticas...
Leer críticas de
Annalisa StroppaCarlo ColombaraChiara IsottonCoro del Teatro alla ScalaEzio FrigerioFranca SquarciapinoGilbert DefloGiuseppe VerdiLeo NucciNadine SierraNicola LuisottiOrchestra del Teatro alla ScalaRigolettoTeatro alla ScalaVittorio Grigolo
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James Imam
James Imam
James Imam is an arts journalist writing for publications including The Financial Times, The Times, Musical America and Opera magazine. He grew up in Manchester, read anthropology at Cambridge and has since lived in Milan. As a once-aspiring countertenor he has an abiding interest in Baroque music.