San Francisco Opera's The Handmaid's Tale offers hope

Irene Roberts (Offred)

Irene Roberts (Offred) and Simone McIntosh (Offred Double)

Sarah Cambridge (Aunt Lydia), Irene Roberts (Offred) and chorus

John Relyea (The Commander), Lindsay Ammann (Serena Joy) and Irene Roberts (Offred)

The Handmaid's Tale

Por Lois Silverstein, 16 septiembre 2024

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“the sound palette... like a quasi-moan and shriek, as if a wound spoke”

Crítica hecha desde War Memorial Opera House, San Francisco el 14 septiembre 2024

Ruders, The Handmaid's Tale

San Francisco Opera

Karen Kamensek, Dirección

John Fulljames, Dirección de escena

Chloe Lamford, Diseño de escena

Christina Cunningham, Diseño de vestuario

Fabiana Piccioli, Diseño de iluminación

San Francisco Opera Orchestra

San Francisco Opera Chorus

Lucy Bradley, Dirección de escena

Irene Roberts, Offred

Simone McIntosh, The Double

Christopher Oglesby, Luke

Gabrielle Beteag, Offred's mother

Sarah Cambidge, Aunt Lydia

Katrina Galka, Janine/Ofwarren

Lindsay Ammann, Serena Joy

Sara Couden, Rita

John Relyea, The Commander

Brenton Ryan, Nick

Matthew Dibattista, The Doctor

John Keene, Dirección de coro

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Lois Silverstein

Lois Silverstein, PhD, a New Yorker born and bred, has lived and worked in San Francisco for over 35 years. Her eight books include novels, poems, essays and memoir; she also writes reviews for OperaWire. After numerous roles in San Francisco Opera as a supernumerary, she performed her one-woman, multimedia show about a freedom fighter in 1939, during the fall of Poland, Valia: The Story of a Woman of Courage. Her newest novel, When Crying Stops: War Echoes from Romania, will be published in 2024.

San Francisco Opera's The Handmaid's Tale offers hope in a totalitarian world