Salonen leads an Austrian feast at the Philadelphia Orchestra

Esa-Pekka Salonen with Daniel Matsukawa, Philippe Tondre, Ricardo Morales and Jennifer Montone

Por Cameron Kelsall, 19 octubre 2025

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“a delightful appetizer and showcase for several of Philly’s best”

Crítica hecha desde Kimmel Center: Marian Anderson Hall, Philadelphia el 18 octubre 2025

Mozart, Sinfonia concertante para instrumentos de viento en mi bemol mayor, K297b

Bruckner, Sinfonía núm. 4 en mi bemol mayor "Romántica", WAB 104

The Philadelphia Orchestra

Esa-Pekka Salonen, Dirección

Philippe Tondre, Oboe

Ricardo Morales, Clarinete

Daniel Matsukawa, Fagot

Jennifer Montone, Trompa

A superb Salzburg sojourn: Philadelphia Orchestra plays Mozart

Cameron Kelsall, 11th April

Guest conductor Harry Bicket brings a sense of urgency to Mozart's Requiem and pulse-quickening energy to Symphony no. 40.

****1

Energy, precision and drama from the Philadelphia Orchestra

Susan Stempleski, 31st March

Marin Alsop is joined by pianist Hayato Sumino as she conducts the Philadelphians in an exhilarating program of works by John Adams, Gershwin and Prokofiev.

****1

Amy Beach’s Gaelic returns to Philadelphia after 100-year absence

Cameron Kelsall, 12th March

Conducted by Yannick Nézet-Séguin, the Philadelphia Orchestra’s latest concert also features Liszt’s Second Piano Concerto with Marc-André Hamelin.

****1

When we dead awaken: Mahler 2 returns to Philadelphia

Cameron Kelsall, 8th March

Yannick Nézet-Séguin and the Philadelphia Orchestra deliver a supreme meditation on the power of music and faith.

*****

Hilary Hahn returns to the stage with the Philadelphia Orchestra

Cameron Kelsall, 13th February

After a six-month break to address persistent injuries, the bravura violinist appears in one of her signature pieces: Prokofiev's Violin Concerto no. 1.

***11

Rarities surround Tchaikovsky favorite at the Philadelphia Orchestra

Cameron Kelsall, 6th February

Concertmaster David Kim performs Tchaikovsky's ever-popular Violin Concerto, and conductor Rafael Payare revisits Falla's El amor brujo.

***11

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Cameron Kelsall

Cameron Kelsall is a classical music critic and cultural reporter. He has written for Bachtrack since 2019, and his byline has appeared in many national and international classical music publications. Based in Philadelphia, he regularly travels around the United States for musical events. In addition to his career in journalism, Cameron also teaches in the Theatre Arts program at the University of Pennsylvania. He is also a certified sommelier and avid home cook. His favorite composer is Mahler. Twitter: @CameronPKelsall.

Esa-Pekka Salonen leads an Austrian feast at the Philadelphia Orchestra