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LondonSalonen Conducts 20th-Century Classics

Stravinsky, Berg, Bartók
Juilliard Orchestra; Esa-Pekka Salonen; Vilde Frang; Royal Academy of Music Symphony Orchestra
StockholmFate & Guilt
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Tüür, Sibelius
Swedish Radio Symphony Orchestra; Esa-Pekka Salonen; Orphei Drängar; Aphrodite Patoulidou; Peter Mattei; Asya Fateyeva
ParisOrchestre de Paris / Esa-Pekka Salonen
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Mozart, Mahler
Orchestre de Paris; Esa-Pekka Salonen; Iris Scialom; Karen Cargill; Andrew Staples
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A brilliant UK premiere of John Adams’ After the Fall
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The Icelandic pianist and Finnish conductor make a superb case for John Adams' latest concerto; the Philharmonia play Ravel's Daphnis et Chloé strongly but don't convince completely.
Salonen and the LA Philharmonic take on the forces of nature
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Reflections of nature and humanity's place within it in Salonen's 2026 return
Salonen leads an Austrian feast at the Philadelphia Orchestra
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A delightful Mozart appetizer leads to a satisfying account of Bruckner's Fourth Symphony.
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LondonMahler 3

Mahler: Symphony no. 3 in D minor
Philharmonia Orchestra; Esa-Pekka Salonen; Michelle DeYoung; Philharmonia Voices; Tiffin Boys' Choir
HamburgNDR Elbphilharmonie Orchester / Esa-Pekka Salonen

Salonen, Berlioz
NDR Elbphilharmonie Orchester; Esa-Pekka Salonen
ParisOrchestre de Paris / Esa-Pekka Salonen
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Ligeti, Bruckner
Orchestre de Paris; Richard Wilberforce; Jennifer France; Virpi Räisänen; Chœur de l'Orchestre de Paris; New London Chamber Choir
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Big birthdays: Philharmonia Orchestra celebrates 80 years
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Founded in 1945, London’s Philharmonia Orchestra is celebrating its 80th anniversary this year with an ambitious season featuring many returning artists, and an extensive US tour.
Critics’ Choice: top ten conductors and orchestras
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Bachtrack polled 15 of the world's leading music critics and can reveal their 2023 list of the world's greatest orchestras and conductors.
Performing Rites: how Stravinsky’s Sacre du printemps still shocks
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Over a century after its premiere, Stravinsky's The Rite of Spring still has the power to shock. Vasily Petrenko offers insights, while Tamara Rojo reflects on one of the most powerful choreographies, the version by Pina Bausch.
