Joie de vivre in Dvořák and Schubert at the Schubertiade

Por Sarah Batschelet, 31 agosto 2017

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Crítica hecha desde Schubertiade Schwarzenberg, Angelika-Kauffmann-Saal, Schwarzenberg el 29 agosto 2017

Dvořák, String Quintet no. 2 in G major, Op.77

Schubert, Octeto en fa mayor, D.803

Paul Meyer, Clarinete

Alejandro Núñes, Trompa

Marco Postinghel, Fagot

Baiba Skride, Violín

Gergana Gergova, Violín

Veronika Hagen, Viola

Clemens Hagen, Violonchelo

Roberto Di Ronza, Contrabajo

Anna Prohaska and friends in Salzburg Schubert

Jonathan Sutherland, 26th August

A nameless octet competes with the big names and easily wins the silver medal in Salzburg.

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Das Hagen-Quartett und Jörg Widmann laden in die Komponierstube

Sebastian Urmoneit, 12th November

Das Hagen-Quartett und Jörg Widmann laden in die Komponierstuben von Robert Schumann und Johannes Brahms ein.

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Keine „Museums-Musik“: Hagen Quartett und Jörg Widmann in Berlin

Sebastian Urmoneit, 20th January

Jörg Widmann und das Hagen Quartett lassen vermeintlich bekannte Werke lebendig werden.

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Le jour des seigneurs : les Casals et les Hagen à la Biennale

Tristan Labouret, 23rd January

En ce dernier jour de la Biennale de quatuors à cordes de la Philharmonie, les Espagnols et les Autrichiens ont proposé une passionnante opposition de styles dans des œuvres du style classique.

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Extending traditions: Jörg Widmann and the Hagen Quartet

Edward Sava-Segal, 22nd March

In Mozart's Clarinet Quintet, the dialogue between instruments, underlined by changes in moods and textures, had an operatic quality.

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The Hagen Quartet at the Festival de Pâques

Mark Valencia, 7th April

A performance that sacrificed a degree of Gallic fragrance in its pursuit of precision.

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Sarah Batschelet

Sarah Batschlelet, long based in Switzerland, took a degree in Art History from Smith College, Northampton, Massachuetts, and lives as a freelance writer and editor near Zurich.