Bachtrack logo
Programación
Todos los eventosConciertosÓperaDanzaNiñosClases magistralesConcursosFestivales
Críticas
Todas las críticasConciertosÓperaDanza
Artículos
Todos los articulosDossieresEntrevistasOpiniónPlaylist
Noticias
Video
HomeTodos los vídeosEventos en directoConciertosÓperaDanzaNiñosClases magistralesEditores
Site
Acerca de nosotrosContacte con nostrosEnlacesCondiciones de usoCookiesPolitica de la privacidad
Jóvenes artistas
Viajes
EventosCríticasArtículosVideo

Smuin kicks off its 23rd season with Dance Series 01

Por Terez Rose, 03 octubre 2016
Descargando, espere, por favor...
Ver la programación
“a company of talented ballet dancers, who can do more, much more”
Crítica hecha desde Palace of Fine Arts Theatre, San Francisco el 1 octubre 2016
Programa
Stabat Mater (Michael Smuin)
Indigo (Stanton Welch)
New Work (Garrett Ammon)
Stabat Mater (Michael Smuin)
Intérpretes
Smuin Ballet
Michael Smuin, Dirección de escena
Más críticas de Danza
Houston Ballet: a hugely entertaining Cinderella
Carla Escoda, 24th February
Stanton Welch's Cinderella has mostly worn well at Houston Ballet, anchored by a delightful rewriting of the central love story and packed with marvellous, witty details.
****1
Stanton Welch's zany, imaginative Nutcracker for Houston Ballet
Carla Escoda, 9th December
Stanton Welch's 2016 production of The Nutcracker for Houston Ballet is a wild and dazzling ride, even for those who think they've had enough of this warhorse of a ballet.
****1
Visions of Classical (Re)Vision in San Francisco
Jaime Robles, 11th February
“Your love affair with ballet, your time with ballet, is short,” explains Welsh about his ballet Bespoke, “Eventually you lay down, and dance keeps moving. It’s a bittersweet thing.”
****1
No Greek tragedy: the Australian Ballet has fun in Sylvia
Chantal Nguyen, 13th November
The Australian Ballet is impressive in this light, entertaining story ballet: a winner of an evening. 
****1
A lively evening of pure dance from San Francisco Ballet
Graham Watts, 5th June
An enjoyable evening of thematic dance but without any insights into the future of ballet. 
***11
Unbound Festival continues with superb dancing
Jaime Robles, 24th April
Benjamin Freemantle danced the opening solo, gorgeously, in the role of the grandfather as a dreamy young Adonis. 
****1
Más críticas...
Leer críticas de
Antonio VivaldiAntonín DvořákMichael SmuinNew WorkSmuin BalletStabat MaterStabat MaterStanton Welch
Artículos relacionados
Loading image...
Todo en la balanza: Estadísticas de la Música Clásica de Bachtrack 2024
Loading image...
Tras la pista de los grandes compositores checos
Loading image...
Por qué aún necesitamos el ballet clásico: conversamos con Darcey Bussell, Cynthia Harvey y Aaron S. Watkin
Loading image...
El día a día de una bailarina: entrevista con Deborah Weiss
Más escritos de Terez Rose
Loading image...
A timely new Eugene Onegin opens the San Francisco Ballet season
Loading image...
Scarlett’s Frankenstein returns to the San Francisco Ballet stage
Loading image...
A Manon premiere opens San Francisco Ballet’s 2025 season
Loading image...
Broken Wings soars in SF Ballet’s Dos Mujeres
Terez Rose
Terez Rose

Terez Rose is a writer and former dancer whose work has appeared in numerous journals, anthologies and online publications. She is the author (as Terez Mertes Rose) of the Ballet Theatre Chronicles (Off Balance, Outside the Limelight, Ballet Orphans, Other Stages) and A Dancer’s Guide to Africa. Visit her at The Classical Girl where she blogs about classical music and the performing arts.