Suonar Cantando brings a taste of old Venice to the Netherlands

Por Kristen Huebner, 30 noviembre 2012

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Crítica hecha desde Geertekerk, Utrecht el 27 noviembre 2012

Rognoni, Other

Caldara, Other

Vivaldi, Other

Jelić, Other

Vivaldi, Other

Bertali, Chiacona

Poglietti, Variations on "L'età della Maestra Vostra"

Suonar Cantando

Bojan Čičić, Violín, Dirección musical

Mahan Esfahani, Clave

Traditionelles Weihnachtsprogramm bei der Nederlandse Bachvereniging

Jens Klier, 16th December

Geleitet von barockem Leipziger Vesperdienst, Kollegialität und eigener exquisiten Art des Singens, arrangierte sich die NBV als Engel und Hirten unter dem Licht Gottes – und Tilburgs Konzertsaal.

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Effervescent Italian Baroque from the Academy of Ancient Music

Jenny Camilleri, 14th April

The Academy of Ancient Music puts composer Dario Castello in the spotlight and in context in this live stream from the West Road Concert Hall in Cambridge.

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Ei, ei, Überraschung: Johann Sebastianis Matthäuspassion in London

Jens Klier, 2nd April

Eine absolute Rarität, die die Ausführenden selbst zur Referenz machten und dem Stück die Auszeichnung bescherten, es unbedingt in den Kanon der Ostermusiken aufzunehmen.

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Suonare è danzare: Barocke Partnerwahl bei der AAM

Jens Klier, 12th February

Vor allem bei Händel hatten sich neue und alte Partner und Freunde gefunden, die in ihren Tanzschritten die momentane Schwere vergessen machten.

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Academy of Ancient Music on brilliant form at Disney Hall

Laurence Vittes, 11th December

The Academy of Ancient Music played with such stylistic elegance, charm and sheer physical beauty that it was like hearing I Musici and Virtuosi di Roma for the first time in this repertoire in the 1950s.

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Baroque warmth and dazzle in Italian concertos from AAM

Mark Thomas, 15th February

A satisfying concoction of Italian concertos from the Academy of Ancient Music had Frank de Bruine leading the charge on oboe, with pristine performances also from violin and harpsichord.

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Kristen Huebner

Originally from the USA, Kristen Huebner now bases her musical life in the Netherlands and Europe. She currently tours with the Amsterdam Baroque Orchestra & Choir under the direction of Ton Koopman and has collaborated alongside members of the Orchestra of the Eighteenth Century under Frans Brüggen. Her work with the Paris-based Ensemble Diderot, has led to numerous appearances at festivals such as Musikfest Erzgebirge and the Bach Biennale Weimar. Kristen’s research on Empfindsamkeit in the chamber music of C.P.E. Bach has been adapted into an article for Music & Practice, published in 2015. Kristen joined the teaching team at the 2022 Zomer Academie Zutphen, where she led the traverso masterclass.