One last time: Tasmin Little bids farewell to the Southbank Centre

Por Stephen Pritchard, 23 octubre 2020

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“no large ovation, no flowers, just a bow, a wave and – as always – that beaming smile”

Crítica hecha desde Royal Festival Hall, Londres el 22 octubre 2020

Brahms, Sonata F-A-E: Scherzo en do menor

Schumann C., Tres romances para violín y piano, Op.22

Boulanger, Nocturne, for violin and piano

Brahms, Sonata para violín núm. 3 en re menor, op. 108

Panufnik, Hora Bessarabia

Coleridge-Taylor, Petite Suite de Concert, Op.77 (Demande et Réponse)

Beach, Romance for violin and piano, Op.23

Beach, Violin Sonata in A minor, Op.34

Tasmin Little, Violín

Piers Lane, Piano

Martin Roscoe, Piano

Andrey Gugnin, Piano

John Lenehan, Piano

Piers Lane finds diversity of mood in Chopin's Nocturnes

Simon Holden, 9th March

It was clear that there is much more to Lane’s conception of these works than mere surface beauty.

****1

Afternoon delight? Sydney Symphony plays Beethoven and Brahms

David Larkin, 17th June

An afternoon programme by the Sydney Symphony Orchestra featuring Beethoven's Triple Concerto and Brahms' Third and shorter pieces by Schreker and Harry Sdraulig offers pleasant but somewhat underwhelming impressions.

***11

Strong chamber performances win admiration in Seattle

Erica Miner, 3rd July

The Seattle Chamber Music Society presented an ambitious program with a distinguished ensemble of performers.

***11

Definitive Walton from Andrew Manze and the LPO

Chris Garlick, 11th March

What an auspicious first outing for Andrew Manze with the LPO, concluding with a definitive account of Walton's First Symphony.

****1

Markus Schäfer sings Lieder at Wigmore Hall

Edward Whitney, 17th February

The intimacy of Schubert’s Lieder almost guarantees that no words can be missed. In comparison to say, a 100-strong choir competing with a full orchestra, the poetic element of Lieder is unmissable, and thus it occupies a larger part of the concertgoer’s attention. Schubert of course recognised this, and selected his wordsmiths carefully.

****1

Beethoven, Vine and Shostakovich from Sinaisky and the LPO

David Karlin, 17th October

At first sight, last night’s London Philharmonic Orchestra concert at the Royal Festival Hall was a typical piece of programming: a well known, relatively undemanding opener, a big symphony to close, and a première of a newly written work sandwiched carefully in between.

****1

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Stephen Pritchard

Stephen Pritchard began singing as a treble at the age of eight and progressed to become a tenor in Portsmouth Cathedral Choir, the Gibbons Consort and now the English Chamber Choir. Writing about music has been at the core of his 40-year career in journalism, chiefly at the Observer. He has been known to play a pretty mean jazz double bass.