Bachtrack logo
Programación
Todos los eventosConciertosÓperaDanzaNiñosClases magistralesConcursosFestivales
Críticas
Todas las críticasConciertosÓperaDanza
Artículos
Todos los articulosDossieresEntrevistasOpiniónPlaylist
Noticias
Video
HomeTodos los vídeosEventos en directoConciertosÓperaDanzaNiñosClases magistralesEditores
Site
Acerca de nosotrosContacte con nostrosEnlacesCondiciones de usoCookiesPolitica de la privacidad
Jóvenes artistas
Viajes
EventosCríticasArtículosVideo

Ballet Black brings a contrasting double-bill of Shakespearian envy and whimsy to Glasgow

Por Kirsty Morgan, 09 junio 2018
Descargando, espere, por favor...
Ver la programación
“the dancers give an impressively emotional performance”
Crítica hecha desde Tramway, Glasgow el 8 junio 2018
Programa
The Suit (Cathy Marston)
A Dream within a Midsummer Nights dream (Arthur Pita)
Intérpretes
Ballet Black
Más críticas de Danza
The Royal Ballet in Perspectives: a diverse and challenging triple
Amanda Jennings, 14th November
The Royal Ballet presents a triple bill of diverse works including one world premiere and one UK premiere. As per usual, the supreme roster of dancers tackles each with aplomb.
****1
Northern Ballet’s Jane Eyre: worthy of repeated viewings
Graham Watts, 22nd May
A revival of Cathy Marston’s Jane Eyre marks another success in Northern Ballet’s strong tradition of narrative dance theatre.
****1
The Royal Ballet: Anemoi/The Cellist a well-balanced double bill
Graham Watts, 20th October
The first revival and first pairing of two award-winning choreographies proves to be a very rewarding double bill. 
****1
Trilogy: a brilliantly diverse triple bill
Ruth Ridgway, 16th June
Cathy Marston’s My Brilliant Career premieres in Brisbane within a diverse triple bill that shows off Queensland Ballet's versatility.
****1
Ballett Zürich: Cathy Marston's The Cellist brings love and despair
Maggie Foyer, 30th April
Cathy Marston is a choreographer who excels in narrative ballets but seldom in a literal sense. 
****1
An expressive showcase: Northern Ballet's Contemporary Cuts
Graham Watts, 11th June
Northern Ballet demonstrate a range of qualities in a rich mix of contemporary work.
***11
Más críticas...
Leer críticas de
Arthur PitaBallet BlackCathy MarstonPhilip FeeneyThe Suit
Artículos relacionados
Loading image...
Por qué aún necesitamos el ballet clásico: conversamos con Darcey Bussell, Cynthia Harvey y Aaron S. Watkin
Loading image...
El día a día de una bailarina: entrevista con Deborah Weiss
Loading image...
Seguir los pasos de Petipa: Tamara Rojo habla sobre la creación de una nueva Raymonda
Kirsty Morgan
Kirsty Morgan
Kirsty is a Glaswegian pianist, flautist, singer and musicologist. She is studying a music degree at the University of Aberdeen and has eight years ballet, tap and modern dance experience. She enjoys 19th-century music, in particular, Franz Schubert. Her website is here.