A mixed Tosca from English National Opera

Por Dominic Lowe, 04 octubre 2016

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“we relocate to what looks like a viewing deck on the Death Star”

Crítica hecha desde The London Coliseum, Londres el 3 octubre 2016

Puccini, Tosca

English National Opera

Oleg Caetani, Dirección

Catherine Malfitano, Dirección de escena

Frank Philipp Schlößmann, Diseño de escena

Gideon Davey, Diseño de vestuario

Keri Alkema, Floria Tosca

Gwyn Hughes Jones, Mario Cavaradossi

Craig Colclough, Baron Scarpia

Andri Björn Róbertsson, Cesare Angelotti

Scott Davies, Spoletta

Graeme Danby, Sciarrone

Adrian Powter, Sacristan

English National Opera Chorus

English National Opera Orchestra

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David Karlin, 16th February

Never has Brecht and Weill’s satire on the inhumanity of man to man been render with such utter darkness; Simon O’Neill heads up a superb cast.

*****

Taken for a ride: an energetic revival of Così fan tutte at ENO

Dominic Lowe, 6th February

English National Opera's revival of Phelim McDermott’s popular production is a blend of spectacle with some first-class singing, with Lucy Crowe emphasising her Mozartian credentials.

****1

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Mark Valencia, 20th November

Christopher Alden’s Olivier Award-winning production of Handel’s Partenope returns to the Coliseum, but it's the singing that earns the plaudits.

****1

Dead Man Walking at English National Opera: a superb execution

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Anneliese Miskimmon's ENO production of Jake Heggie and Terence McNally's tale of crime, repentance, compassion and redemption compels from start to finish.

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Comedy falls flat in ENO's season opening Cinderella

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Julia Burbach and her designer, Herbert Murauer, are defeated by the wide canyons of the Coliseum stage in their modern-dress Cinderella.

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ENO gives Thea Musgrave's Mary, Queen of Scots a worthy performance

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Musgrave's powerful depiction of a powerful woman at the mercy of male manipulation receives a strong staging from at ENO.

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Dominic Lowe

Dominic Lowe recently completed a degree in Classics, and one of his great interests is the reception of Greece and Rome in opera. A regular opera-goer since his very early teens, he is particularly keen on the hidden operatic gems of the 19th century. He is largely based in the South of England.