Muted passions in Royal Opera Tosca revival

Aušrinė Stundytė (Tosca)

Aušrinė Stundytė (Tosca) and Gabriele Viviani (Scarpia)

Marcelo Puente (Cavaradossi)

Tosca, Act 3

Gabriele Viviani (Scarpia) and Royal Opera Chorus

Por Roy Westbrook, 06 febrero 2024

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“Stundytė... deployed that famous gown and its train like a spirited diva at times”

Crítica hecha desde Royal Opera House, Covent Garden, Londres el 5 febrero 2024

Puccini, Tosca

The Royal Opera

Karen Kamensek, Dirección

Jonathan Kent, Dirección de escena

Paul Brown, Diseño de escena, Diseño de vestuario

Mark Henderson, Diseño de iluminación

Orchestra of the Royal Opera House Covent Garden

Royal Opera Chorus

Aušrinė Stundytė, Floria Tosca

Marcelo Puente, Mario Cavaradossi

Gabriele Viviani, Baron Scarpia

Grisha Martirosyan, Cesare Angelotti

Henry Waddington, Sacristan

Peter Hoare, Spoletta

Jamie Woollard, Sciarrone

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Roy Westbrook

Roy Westbrook gained a diploma in music history at London University (Morley College) and was for some years the head of music day schools at Oxford University, where he also led music summer schools. After some years leading the University's business school he has returned to music teaching and writing, and recently took part in the Arts in Residence courses on Bruckner, Mahler and Bach He is co-author (with Terry Barfoot) of a history of opera, and has taught day schools on Sibelius in Oxford and elsewhere.