Traetta's Antigona a forceful Baroque drama in Amsterdam

Por Jenny Camilleri, 11 febrero 2018

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“Visser’s staging vibrated with violent emotions and the cast gave physically explosive performances”

Crítica hecha desde International Theater: Grote Zaal, Ámsterdam el 10 febrero 2018

Traetta, Antigona

Opera Trionfo

Andreas Hotz, Dirección

Floris Visser, Dirección de escena

Dieuweke van Reij, Diseño de escena, Diseño de vestuario

Erika Simons, Antigona

Katarina Morfa, Emone

Daniel Wagner, Adrasto

Christian Damsgaard, Creonte

Lina Liu, Ismene

Osnabrücker Symphonieorchester

Theater Osnabrück Opera Chorus

Kevin Ruijters, Actor

Kenneth Gérard, Actor

Vergangenheitsbewältigung mit Familie Pinkerton: Butterfly in Graz

Isabella Steppan, 5th November

Floris Visser bringt eine ebenso interessante wie bildgewaltige Interpretation von Puccinis Klassiker auf die Bühne; auch musikalisch überzeugt der Abend fast auf ganzer Linie.

****1

Death haunts Glyndebourne Tour's powerful Bohème

Nick Boston, 9th October

A strong cast led by Bekhzod Davronov and Gabriella Reyes plus an intense production helps Floris Visser unusual staging of La bohème stand out from the crowd.

****1

Death Becomes Her: Floris Visser's new Bohème at Glyndebourne

Kevin W Ng, 18th June

An ideal young cast and a thoughtful production bring fresh perspectives to Puccini's tragedy.

*****

Manon als Influencerin der Belle Epoque in Zürich

Isabella Steppan, 18th April

Bildgewaltig inszeniert Floris Visser Jules Massenets Oper; Elsa Dreisig und Piotr Beczała erobern als unglückseliges Liebespaar Herzen und Ohren.

****1

La Cetra dazzles in Juditha triumphans at Dutch National Opera

Jenny Camilleri, 26th January

Floris Visser’s staging transforms Vivaldi’s biblical oratorio into a credible wartime drama. The young cast is proficient, and La Cetra Baroque Orchestra, conducted by Andrea Marcon, nothing short of miraculous.

****1

A gut-wrenching and breathtaking Orphée et Eurydice

Jenny Camilleri, 11th May

In a ravishing and affectingly sung production, Floris Visser re-imagines the myth of Orpheus and Eurydice as the efforts of a grieving psyche trying to heal its devastating wounds.

****1

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Jenny Camilleri

After completing her postgraduate studies in psychology at the University of Toronto, Jenny moved to Amsterdam, where she enjoys singing in amateur choirs. She loves all genres of classical vocal music, especially nineteenth and early twentieth century Italian and German opera and art songs.