Barton’s Azucena drags Trovatore from the flames

Roberto Tagliavini (Ferrando) and Jamie Barton (Azucena)

Ludovic Tézier (Conte di Luna)

Roberto Tagliavini (Ferrando)

Il trovatore, Part 2 finale

Marina Rebeka (Leonora) and Gabrielė Kupšytė (Ines)

Riccardo Massi (Manrico) and the Royal Opera Chorus

Por Mark Pullinger, 03 junio 2023

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“Pappano... powered through Verdi’s red-blooded score with vigour, tempered with velvet”

Crítica hecha desde Royal Opera House, Covent Garden, Londres el 2 junio 2023

Verdi, Il trovatore

The Royal Opera

Sir Antonio Pappano, Dirección

Adele Thomas, Dirección de escena

Annemarie Woods, Diseño de escena, Diseño de vestuario

Franck Evin, Diseño de iluminación

Orchestra of the Royal Opera House Covent Garden

Royal Opera Chorus

Ludovic Tézier, Il conte di Luna

Marina Rebeka, Leonora

Jamie Barton, Azucena

Riccardo Massi, Manrico

Roberto Tagliavini, Ferrando

Gabrielė Kupšytė, Ines

Michael Gibson, Ruiz

Emma Woods, Coreografía

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Mark Pullinger

Mark has been a Bachtrack editor since 2014. He is also an experienced critic, writing hundreds of reviews for the site, as well as a freelancer writing for other magazines and newspapers. He also writes programme notes and blogs on Substack. Mark has a particular passion for the operas of Verdi as well as Russian and French repertoire. Outside the concert hall and opera house, Mark enjoys cooking and travel and is probably at his happiest let loose in a French patisserie or a Viennese coffee house.

A Fright at the Opera: Trovatore ridiculed, but Barton’s Azucena drags it from the flames