Vasily Barkhatov's car crash Turandot opens the season in Naples

Turandot

Sondra Radvanovsky (Turandot) and Yusif Eyvazov (Calaf)

Turandot, Act 2

Por Lorenzo Fiorito, 13 diciembre 2023

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“gives Barkhatov the pretext to roam freely in the forest of his cultural fetishes”

Crítica hecha desde Teatro di San Carlo, Naples el 12 diciembre 2023

Puccini, Turandot

Teatro di San Carlo

Dan Ettinger, Dirección

Vasily Barkhatov, Dirección de escena

Zinovy Margolin, Diseño de escena

Galya Solodovnikova, Diseño de vestuario

Alexander Sivaev, Diseño de iluminación

Orchestra del Teatro di San Carlo

Coro del Teatro di San Carlo

Sondra Radvanovsky, Turandot

Yusif Eyvazov, Calaf

Rosa Feola, Liù

Alexander Tsymbalyuk, Timur

Nicola Martinucci, Emperor Altoum

Roberto de Candia, Ping

Gregory Bonfatti, Pang

Francesco Pittari, Pong

Sergio Vitale, Mandarin

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Lorenzo Fiorito, 11th March

Gianni Amelio's 2021 production of Lucia di Lammermoor at the Teatro di San Carlo serves the music, but it no longer commands the same sense of discovery.

***11

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Lorenzo Fiorito, 15th February

The French director’s much-travelled production arrives at the Teatro di San Carlo, displaying a precise balance between word, gesture and voice.

*****

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Lorenzo Fiorito, 18th January

Andreas Homoki’s staging at the Teatro di San Carlo, setting aside a few inconsistencies with the libretto, does not indulge in redundant symbolism.

***11

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Lorenzo Fiorito, 14th December

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***11

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Lorenzo Fiorito, 10th December

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***11

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Lorenzo Fiorito, 11th October

Faithful to the libretto’s dramaturgy, the staging unfolds in scenographic environments of strong impact -

****1

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Lorenzo Fiorito

Lorenzo Fiorito holds degrees in Humanities and in Languages and Literatures, and a Phd in Languages for Special Purposes. He is a lecturer in historical musicological subjects at the Pegaso University, Naples, the Universitas Mercatorum, Rome and MEDEA Higher Education Institution, Malta, currently researching musicology as a special language. He is a member of the National Music Critics Association and of the Italian Society of Musicology. He edited a series of volumes in Musicology and History of Music for the publisher Diana Edizioni, mainly concerning the Neapolitan School of Music of the 18th century, and is the founder and artistic director of the “Francesco Durante Festival” in Frattamaggiore.