A musical potpourri from Martha Argerich and friends in Hamburg

Por Edward Sava-Segal, 24 junio 2021

Descargando, espere, por favor...

“the autumnal mood pervading this music was made clear”

Crítica hecha desde Laeiszhalle: Großer Saal, Hamburg el 23 junio 2021

Liszt, Wagner's Overture to Tannhäuser, transcr. for piano, S 442

Brahms, Viola Sonata in E flat major, Op.120 no.2

Saint-Saëns, Septet in E flat major for trumpet, piano and strings, Op.65

Shostakovich, Sonata para violonchelo en re menor, op. 40

Brahms, Lerchengesang (Song of the Larks), Op.70 no.2 (arr. for cello)

Sophie Pacini, Piano

Gérard Caussé, Viola

Nicholas Angelich, Piano

Sergei Nakariakov, Trompeta

Dong Hyek Lim, Piano

Adrian Iliescu, Violín

Paweł Kisza, Violín

Lyda Chen, Viola

Eugene Lifschitz, Violonchelo

Gregor Hammans, Contrabajo

Martha Argerich, Piano

Mischa Maisky, Violonchelo

Del amor romántico al frenesí contemporáneo

Romina De Carli, 31st January

El programa que la Orquesta Sinfónica de Euskadi presentó el pasado martes en el Baluarte de Pamplona tuvo como nota dominante el amor romántico, salpicado por un frenesí contemporáneo.

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Jaap van Zweden welcomed back in Antwerp

Zoltán Szabó, 12th February

The Dutch conductor returns to his old orchestra for a concert stream of Beethoven, with Nicholas Angelich, and Tchaikovsky.

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Angelich offre un dernier moment de répit à Lyon avant le confinement

Augustin Javel, 29th October

Reconfinement, attentat, crise du secteur culturel : Nicholas Angelich vient faire oublier un temps le climat morose et bouleverse l'Auditorium de Lyon avec un Concerto pour piano nº 3 de Rachmaninov suspendu.

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Radiant Tabakova and breezy Beethoven from Aurora Orchestra

Nahoko Gotoh, 8th February

A month into the year-long "Nature Unwrapped" programme at Kings Place, it was the turn of its resident Aurora Orchestra to contribute to the series.

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À Saanen, l’orateur Angelich devant l’Aurora Orchestra

Tristan Labouret, 7th February

Aux Sommets musicaux, Nicholas Angelich a délivré une interprétation formidable du Concerto n° 24 de Mozart, avant que l'Aurora Orchestra ne se lève dans la Symphonie n° 1 de Beethoven.

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Beautiful poise: Capuçon, Moreau and Angelich alight in Tsinandali

James Imam, 10th September

Festivals and academies breed familiarity and mutual compassion between audiences and returning artists. Yet the warmly informal feel of this concert owed mostly to the close relationships between the musicians themselves.

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Edward Sava-Segal

Edward has been living in New York for the last 25 years, one of the reasons being the extraordinarily rich cultural life in this city. He has studied piano and classical music in his early years. He switched later on to computer science and data architecture but he kept an unwavering interest in following the classical music phenomenon here in New York and in his travels. Edward occasionally reviews fine arts events for the most prestigious literary magazine in Romania, his home country.