Choreography with the camera in Pacific Northwest Ballet’s Rep 2

Por Annie Nikunen, 17 noviembre 2020

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“solo piano enhanced the solitude, and the body was its echo, filling the pauses as it rang”

Crítica hecha desde Marion Oliver McCaw Hall, Seattle el 16 noviembre 2020

Wonderland (World premiere) (Penny Saunders)

Waterbaby Bagatelles (Excerpt) (Twyla Tharp)

Arms (Susan Marshall)

Ghost Variations (World premiere) (Jessica Lang)

Pacific Northwest Ballet

Christopher D'Ariano, Bailarín

Angelica Generosa, Bailarín

Elle Macy, Bailarín

Elizabeth Murphy, Bailarín

Lucien Postlewaite, Bailarín

Yuki Takahashi, Bailarín

Dylan Wald, Bailarín

Genevieve Waldorf, Bailarín

Leah Terada, Bailarín

Miles Pertl, Bailarín

Leta Biasucci, Bailarín

Kyle Davis, Bailarín

Jerome Tisserand, Bailarín

American Ballet Theatre: Twyla Tharp still has it!

Ivy Lin, 15th October

Twyla@60: A Tharp Celebration is an overall triumph though not just for Tharp, but for Susan Jaffe’s vision for American Ballet Theatre.

****1

Twyla Tharp's Diamond Jubilee: disappointments and delights

Ivy Lin, 12th March

Despite my reservations about Diabelli, there is no doubt Twyla Tharp is one of the most inventive, adventurous voices in dance still (and she's 83). She deserves her flowers.

****1

Kingdom of the Shades is a company's ultimate test

Ivy Lin, 27th October

Artistic Director, Susan Jaffe, reviving the Kingdom of the Shades for ABT’s Fall Season was both a testament to her trust in her company, and also a test.

****1

American Ballet Theatre captivates in a thrilling triple bill

Ivy Lin, 20th October

Just as there can never be a bad performance of Serenade, there are no bad performances of In the Upper Room. It practically dances itself.

****1

Twyla Tharp: still cool after all these years

Ivy Lin, 13th February

Two world premieres and a piece created in 1975. Tharp herself came onstage to raucous applause. She might be “pop dance”, but audiences love it.

*****

Alvin Ailey American Dance Theater's Modern Masters: explosive style

Deborah Weiss, 6th September

Alvin Ailey American Dance Theater proves its versatility in this Sadler's Wells programme, confirming its place as one of the world's greatest dance companies.

****1

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Annie Nikunen

A NYC-based flutist, composer, writer and radio broadcaster, Annie studies composition/music theory at Barnard College, Columbia University, and flute at Manhattan School of Music. She performs contemporary, classical, jazz, Taizè and film styles, and is a founding member of Blackbox Ensemble. Annie has written for International Contemporary Ensemble, Yarn/Wire and Fonema Consort, among others. A ballet dancer of many years, she loves researching sound-body connections. She is a DJ and former Business Manager/Classical Head at WKCR, hosting a show highlighting contemporary ballet music of New York City Ballet and lesser-known orchestral/choral/flute repertoire.