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TorontoOrfeo ed Euridice
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Gluck: Orfeo ed Euridice
Bernard Labadie; Robert Carsen; Canadian Opera Company; Tobias Hoheisel; Canadian Opera Company Orchestra
TorontoProcession – National Ballet of CanadaEstreno absoluto

Various: Procession
Bobbi Jene Smith; Or Schraiber; National Ballet of Canada; Dana Osborne; Bonnie Beecher; The National Ballet of Canada Orchestra
TorontoThe Winter's Tale

Talbot: The Winter's Tale
Christopher Wheeldon; National Ballet of Canada; Bob Crowley; Natasha Katz; The National Ballet of Canada Orchestra
TorontoThe Nutcracker – National Ballet of Canada

Chaikovskiï: El cascanueces
Marius Petipa; Lev Ivanov; James Kudelka; National Ballet of Canada; Santo Loquasto; Jennifer Tipton; The National Ballet of Canada Orchestra
TorontoRigoletto

Verdi: Rigoletto
Johannes Debus; Christopher Alden; Canadian Opera Company; Michael Levine; Duane Schuler; Canadian Opera Company Orchestra
TorontoThe Barber of Seville

Rossini: Il barbiere di Siviglia
Daniela Candillari; Joan Font; Canadian Opera Company; Joan Guillén; Albert Faura; Canadian Opera Company Orchestra
TorontoFlight Pattern / Suite en Blanc

Górecki, Lalo
Crystal Pite; Serge Lifar; National Ballet of Canada; Jay Gower Taylor; Nancy Bryant; Tom Visser; The National Ballet of Canada Orchestra
TorontoPinocchio – National Ballet of Canada

Englishby: Pinocchio
Will Tuckett; National Ballet of Canada; Colin Richmond; Oliver Fenwick; The National Ballet of Canada Orchestra
Últimas críticasVer más...
Canadian Opera's Orfeo returns elegant, restrained and very satisfying
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The restrained beauty of Robert Carsen’s production of Gluck’s Orfeo ed Euridice is matched by musical elegance in its revival current revival at the Four Seasons Centre.
Canadian Opera Company opens season with Roméo et Juliette
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Amy Lane’s production of Gounod’s Roméo et Juliette at the COC is eye-catching and enjoyable but doesn’t offer the same level of insight as her Faust last season.
Eugene Onegin revival fails to find the magic spark in Toronto
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Robert Carsen’s 1997 production of Eugene Onegin has aged remarkably well but the latest Canadian Opera Company revival of it doesn’t quite recapture its magic.
COC triumphs with Kentridge’s brilliantly conceived Wozzeck
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William Kentridge's production of Berg’s Wozzeck has it all: wonderfully imaginative and disturbing designs, terrific acting and singing plus fabulous orchestral playing.
Corps shines in National Ballet of Canada’s Swan Lake
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In the first revival of National Ballet of Canada's 2022 Swan Lake, a strong corps de ballet and star turn by Genevieve Penn Nabity almost overcome a muddled visual concept.
Musically and visually stunning, La Reine-garçon ticks all the boxes
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Bilodeau and Bouchard’s La Reine-garçon is contemporary opera at its best, telling a great story with outstanding music and stunning visuals.
Power and vulnerability: COC revives Madama Butterfly
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The Toronto revival of Michael Grandage’s straightforward but elegant production shields Puccini’s genius from contemporary critiques.
Scattered borrowings fail to cohere in COC's new Faust
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Amy Lane's scattered borrowings from Tim Burton to Stanley Kubrick fail to cohere in the Canadian Opera Company's new Faust.
