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Salle: Four Seasons Centre for the Performing Arts, Toronto

Fichier de données
AdresseToronto
Ontario
M5H 4G1
Canada
Google maps43° 39' 3.227" N 79° 23' 8.770" W
septembre 2026
lun.mar.mer.jeu.ven.sam.dim.
31010203040506
07080910111213
14151617181920
21222324252627
28293001020304
05060708091011
Soirée
Matinée
Événements à venirEn voir plus...

TorontoLa traviata

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Verdi: La Traviata
Paolo Carignani; Arin Arbus; Canadian Opera Company; Riccardo Hernandez; Cait O'Connor; Marcus Doshi; Canadian Opera Company Orchestra

TorontoCosì fan tutte

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Mozart: Così fan tutte
Johannes Debus; Atom Egoyan; Canadian Opera Company; Debra Hanson; Michael Walton; Canadian Opera Company Orchestra

TorontoThe Turn of the ScrewNouvelle production

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Britten: Le Tour d'écrou
Patrick Summers; Louisa Muller; Canadian Opera Company; Christopher Oram; Malcolm Rippeth; Canadian Opera Company Orchestra

TorontoAriadne auf NaxosNouvelle production

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Strauss R.: Ariadne auf Naxos
Johannes Debus; Paul Curran; Canadian Opera Company; Gary McCann; Howard Hudson; Canadian Opera Company Orchestra

TorontoEmpire of WildCréation mondiale

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Cusson: Empire of Wild
Johannes Debus; Yvette Nolan; Canadian Opera Company; Gillian Gallow; Jeff Chief; Michelle Ramsay; Canadian Opera Company Orchestra

TorontoL'elisir d'amore

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Donizetti: L'Elisir d'Amore (L'Élixir d’amour)
Lorenzo Passerini; James Robinson; Canadian Opera Company; Allen Moyer; Martin Pakledinaz; Paul Palazzo; Canadian Opera Company Orchestra
Critiques récentesEn voir plus...

Werther oozes quiet despair in new Canadian Opera Company staging

Victoria Karkacheva (Charlotte) © Michael Cooper
Excellent performances cannot turn a conventional production of Massenet’s Werther into a dramatic experience for the 21st century. 

Lepage’s Bluebeard and Erwartung pairing remains compelling theatre

Karen Cargill (Judith) and Christian Van Horn (Bluebeard) © Michael Cooper
Some 30 years after its first appearance, Robert Lepage’s double bill of Duke Bluebeards Castle and Erwartung is still strikingly effective and very modern-looking music theatre.

Canadian Opera Company’s Barber proves as fresh as ever

The cast of The Barber of Seville © Michael Cooper
The Barber is back in Toronto with an excellent cast, young and old, and it’s as lively, colourful and energetic as ever. 

Christopher Alden’s Rigoletto returns to Canadian Opera Company

Quinn Kelsey (Rigoletto) and Gregory Dahl (Monterone) © Michael Cooper
Christopher Alden’s Victorian-era Rigoletto still divides opinions, despite top-notch performances all around in this Toronto revival. 

Canadian Opera's Orfeo returns elegant, restrained and very satisfying

Iestyn Davies (Orfeo) © Michael Cooper
The restrained beauty of Robert Carsen’s production of Gluck’s Orfeo ed Euridice is matched by musical elegance in its revival current revival at the Four Seasons Centre. 

Canadian Opera Company opens season with Roméo et Juliette

Stephen Costello (Roméo) and Kseniia Proshina (Juliette) © Michael Cooper
Amy Lane’s production of Gounod’s Roméo et Juliette at the COC is eye-catching and enjoyable but doesn’t offer the same level of insight as her Faust last season. 

Eugene Onegin revival fails to find the magic spark in Toronto

Andrii Kymach (Onegin) and Lauren Fagan (Tatyana) © Michael Cooper
Robert Carsen’s 1997 production of Eugene Onegin has aged remarkably well but the latest Canadian Opera Company revival of it doesn’t quite recapture its magic. 

COC triumphs with Kentridge’s brilliantly conceived Wozzeck

Ambur Braid (Marie) © Michael Cooper
William Kentridge's production of Berg’s Wozzeck has it all: wonderfully imaginative and disturbing designs, terrific acting and singing plus fabulous orchestral playing.