Datos
| Address | 165 W. 65th Street Nueva York NY 10023 Estados Unidos |
| Contains | Lincoln Center, Rose Building: Daniel and Joanna S. Rose Studio Alice Tully Hall Clark Studio Theater David H Koch Theater Fordham University, 12th Floor Lounge Josie Robertson Plaza Metropolitan Opera House New York State Theater Stanley H Kaplan Penthouse Walter Reade Theater Wu Tsai Theater, David Geffen Hall Lincoln Centre: Hearst Plaza |
| Google maps | 40° 46' 26.830" N 73° 59' 2.841" W |
Próximos eventosVer más...
Nueva YorkContemporary Choreography I – New York City Ballet
Morlock, Stravinsky, Various, Blake
Justin Peck; Kyle Abraham; Alysa Pires; Jennifer Archibald; New York City Ballet; New York City Ballet Orchestra
Nueva YorkCosì fan tutte
Mozart: Così fan tutte
Nimrod David Pfeffer; Phelim McDermott; Metropolitan Opera; Tom Pye; Laura Hopkins; Paule Constable; The Metropolitan Opera Orchestra
Nueva YorkLa bohème
Puccini: La bohème
Ramón Tebar; Franco Zeffirelli; Metropolitan Opera; Peter J. Hall; Gil Wechsler; The Metropolitan Opera Orchestra
Nueva YorkEclectic NYCB I – New York City Ballet
Ligeti, Mahler, Chabrier
Christopher Wheeldon; Alexei Ratmansky; George Balanchine; New York City Ballet; Holly Hynes; Mark Stanley; New York City Ballet Orchestra
Nueva YorkMacbethNueva producción
Verdi: Macbeth
Yannick Nézet-Séguin; Louisa Proske; Metropolitan Opera; Jon Bausor; Montana Levi Blanco; Adam Silverman; The Metropolitan Opera Orchestra
Nueva YorkAll Balanchine I
Rieti, Xenakis, Ives, Chaikovskiï
George Balanchine; New York City Ballet; John Taras; Marc Happel; Mark Stanley; New York City Ballet Orchestra
Últimas críticasVer más...
De la oscuridad a la luz y regreso
El estreno de Iolanta y El castillo de Barbazul, retrasado a causa de la nieve, abrió con un poderoso canto y una escena muy efectiva. Los roles principales en Iolanta destacaron por una interprtación muy bella, mientras que en El castillo de Barbazul sobresalió la ejecución de la orquesta del Met.
Dudamel marries power and precision with the NY Phil opener
Gustavo Dudamel introduced himself to his new subscription audience with a rendition of Mahler’s Symphony No. 5 that was at once surgically precise, startlingly forceful and compellingly human.
Federica Lombardi and Samantha Hankey shine in the Met’s Così revival
The Metropolitan Opera’s revival of Phelim McDermott’s bustling production combines circus-like hijinks with superb singing and acting from a fine cast.
Quinn Kelsey dazzles in the Met Opera’s new Macbeth
The American baritone delivers a career-defining performance of the title role in Louisa Proske’s post-apocalyptic setting of Verdi’s first Shakespearean opera, which opens the company’s new season.
Jewels endures: New York City Ballet’s fall season opens
Despite its gaudy sets and stretches of ho-hum choreography, Balanchine’s Jewels remains a triumph for New York City Ballet.
Gustavo Dudamel makes impressive start to New York Phil tenure
The new Music Director’s opening subscription concert offers an emotionally cathartic tribute to 9/11, a riotous world premiere and brilliantly performed Prokofiev.
Ukrainian Freedom Orchestra with Lise Davidsen in New York
The Ukrainian Freedom Orchestra provide darkness with the suite from a new opera about Crimea, then balm with Four Last Songs, wonderfully sung by Lise Davidsen. High-speed Beethoven follows.
Exciting new works on Festival Orchestra of Lincoln Center’s closer
New works by Billy Childs and Hannah Ishizaki are the highlights of Festival Orchestra of Lincoln Center’s final offering of the season.