Datos
| Address | 165 W. 65th Street Nueva York NY 10023 Estados Unidos |
| Contains | Lincoln Center, Rose Building: Daniel and Joanna S. Rose Studio Alice Tully Hall Clark Studio Theater David H Koch Theater Fordham University, 12th Floor Lounge Josie Robertson Plaza Metropolitan Opera House New York State Theater Stanley H Kaplan Penthouse Walter Reade Theater Wu Tsai Theater, David Geffen Hall Lincoln Centre: Hearst Plaza |
| Google maps | 40° 46' 26.830" N 73° 59' 2.841" W |
Próximos eventosVer más...
Nueva YorkDudamel Conducts Stravinsky’s Firebird
Unknown, Reid, Stravinsky
New York Philharmonic; Gustavo Dudamel; New York Philharmonic Chorus
Nueva YorkLa bohème
Puccini: La bohème
TBC; Franco Zeffirelli; Metropolitan Opera; Karel Mark Chichon; Peter J. Hall; Gil Wechsler
Nueva YorkContemporary Choreography III
Brahms, Shostakovich, Albinoni, Ligeti
Lar Lubovitch; Edwaard Liang; Christopher Wheeldon; Alexei Ratmansky; New York City Ballet; Holly Hynes; Mark Stanley; New York City Ballet Orchestra
Nueva YorkEugene Onegin
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Chaikovskiï: Eugene Onegin
Timur Zangiev; Deborah Warner; Metropolitan Opera; Tom Pye; Chloe Obolensky; Jean Kalman; The Metropolitan Opera Orchestra
Nueva YorkAll Balanchine III
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Mozart, Stravinsky
George Balanchine; Mikhail Fokine; New York City Ballet; James Stewart Morcom; Jean Rosenthal; New York City Ballet Orchestra
Nueva YorkLa traviata
Verdi: La traviata
Marco Armiliato; Michael Mayer; Metropolitan Opera; Michele Spotti; Christine Jones; Susan Hilferty; Kevin Adams
Nueva YorkEclectic NYCB II
Mozart, Various, Foss, Martinů
George Balanchine; Peter Martins; Gianna Reisen; Justin Peck; New York City Ballet; Barbara Karinska; David Hays; New York City Ballet Orchestra
Nueva YorkDudamel & the Spanish Harlem Orchestra
Unknown
Unknown; Gustavo Dudamel; New York Philharmonic
Últimas críticasVer más...
De la oscuridad a la luz y regreso
El estreno de Iolanta y El castillo de Barbazul, retrasado a causa de la nieve, abrió con un poderoso canto y una escena muy efectiva. Los roles principales en Iolanta destacaron por una interprtación muy bella, mientras que en El castillo de Barbazul sobresalió la ejecución de la orquesta del Met.
Mira Nadon’s sparkling debut in Firebird with New York City Ballet
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A triple bill comprising Balanchine's Symphony in C, Agon and Firebird could not have been more inspiringly danced by New York City Ballet.
Barbara Hannigan makes a powerful connection in La Voix humaine
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The Canadian soprano and conductor fuses live performance and video in a taut, volatile account of Poulenc’s punch-packing monodrama with the New York Philharmonic, sharing the bill with Strauss’ valedictory Metamorphosen.
Asmik Grigorian strengthens the Met’s revival of Eugene Onegin
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The Lithuanian soprano’s riveting performance as the central character in Tchaikovsky’s operatic masterpiece lights up Deborah Warner’s mostly bland production.
Innocence: Saariaho’s final opera receives New York premiere
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At the Metropolitan Opera, Innocence proves a gripping and perhaps divisive piece which feels real because it is a reflection of our reality, with no realistic hope of finding peace.
A vocally perplexing economics assignment from David Lang
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The New York Philharmonic and Gustavo Dudamel deliver the world premiere of Lang's The wealth of nations, inspired by Adam Smith's famous treatise.
American Ballet Theatre's double bill is short and sweet in New York
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American Ballet Theatre presents Balanchine's Raymonda: Grand Pas Hongrois and Ratmansky's Firebird which showcases the company well and provides a strong contrast.
A spectacular triple bill lifts ABT’s spring season in New York
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A finely curated triple bill from American Ballet Theatre included works from Balanchine, Jiří Kylián and Alexei Ratmansky.